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ISBN10: 0275966828, ISBN13: 9780275966829, [publisher: Praeger Publishers] Hardcover Bumped edges. Scratches to the cover. Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries. [Hereford, United Kingdom] [Publication Year: 2001]
ISBN10: 0275966828, ISBN13: 9780275966829, [publisher: Bloomsbury Publishing USA] Hardcover Used book that is in clean, average condition without any missing pages. [Reno, NV, U.S.A.] [Publication Year: 2001]
Bloomsbury Publishing USA. Used - Good. Used book that is in clean, average condition without any missing pages. Bloomsbury Publishing USA ISBN 0275966828 9780275966829 [US]
Praeger Publishers 2001 Hardcover Very good Bumped edges. Scratches to the cover. Appears unread, may have minor damage from transit/storage. Next working day dispatch from the UK (Mon-Fri). Please contact us with any queries.
Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Music from Cuba: Mongo Santamar Degreesd'ia, Chocolate Armenteros, and Other Stateside Cuban Musicians. ISBN 0275966828 9780275966829 [GB]
Bloomsbury USA 3pl 4/30/2001 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Bloomsbury USA 3pl 4/30/2001 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0275966828, ISBN13: 9780275966829, [publisher: Bloomsbury Publishing Plc, Westport] Hardcover Hardcover. Studies of Latin American music often overlook its Cuban roots and the political policies that brought the musicians to the United States. This work rectifies that omission by examining the Afro-Cuban influence upon Latin American music and its various idioms. A brief history of Afro-Cuban musicians in the United States provides the background and context for the study. Influential pre-revolutionary Afro-Cuban immigrant musicians, such as Mongo SantamarIa, Jesus Caunedo, Charanga and Pup Legarreta, Juan Carlos Formell, and Alfredo Chocolate Armenteros, discuss both their music and their attitudes toward the political policies that led them to flee Cuba. Speaking from firsthand experience, founding figures of Latin music in the United States present unique insights into the Afro-Cuban experience within the Latin musical community.Adding to the musicians' stories, Gerard provides a history of relations between Cubans, African Americans, and Puerto Ricans in the Latin music community. He also discusses the impact of the mass emigration in the 1980s that brought many more Cubans to the States. This multicultural approach to Latin American music will appeal to music and Latin American history scholars and to jazz and Latin music enthusiasts. An appendix includes album listings for the musicians interviewed. Speaking from firsthand experience, founding figur ...
ISBN10: 0275966828, ISBN13: 9780275966829, [publisher: Bloomsbury 3PL] Hardcover nach der Bestellung gedruckt Neuware - Printed after ordering - Studies of Latin American music often overlook its Cuban roots and the political policies that brought the musicians to the United States. This work rectifies that omission by examining the Afro-Cuban influence upon Latin American music and its various idioms. A brief history of Afro-Cuban musicians in the United States provides the background and context for the study. Influential pre-revolutionary Afro-Cuban immigrant musicians, such as Mongo SantamarÍa, Jesus Caunedo, Charanga and Pup Legarreta, Juan Carlos Formell, and Alfredo Chocolate Armenteros, discuss both their music and their attitudes toward the political policies that led them to flee Cuba. Speaking from firsthand experience, founding figures of Latin music in the United States present unique insights into the Afro-Cuban experience within the Latin musical community.Adding to the musicians' stories, Gerard provides a history of relations between Cubans, African Americans, and Puerto Ricans in the Latin music community. He also discusses the impact of the mass emigration in the 1980s that brought many more Cubans to the States. This multicultural approach to Latin American music will appeal to music and Latin American history scholars and to jazz and Latin music enthusiasts. An appendix includes album listings for the musicians interviewed. [Einbeck, Ge ...
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