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Cambridge Cambridge University Press 2010 Hard cover New. 384 p. New Perspectives in Music History and Criticism . 1 Tables, black and white; 13 Halftones, unspecified. Intended for college/higher education audience.
Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Verdi and the Germans: From Unification to the Third Reich. ISBN 0521519195 9780521519199 [GB]
Cambridge Cambridge University Press 2010 Hard cover New. 384 p. New Perspectives in Music History and Criticism . 1 Tables, black and white; 13 Halftones, unspecified. Intended for college/higher education audience.
Hardback. New. Drawing on an exceptionally broad range of sources, in this book Kreuzer explores how Italian opera, epitomised by Giuseppe Verdi, influenced ideas of German musical and national identity from the mid nineteenth century onwards. The book discusses the changing image of Verdi and the transnational dissemination, reception and political appropriation of his works. ISBN 0521519195 9780521519199 [GB]
Cambridge Cambridge University Press 2010 Hard cover New. Contains: Halftones, Tables, black & white. New Perspectives in Music History and Criticism . 13 b/w illus. 1 table. Intended for professional and scholarly audience.
ISBN10: 0521519195, ISBN13: 9780521519199, [publisher: Cambridge University Press] Hardcover Druck auf Anfrage Neuware - Printed after ordering - This seminal study of Giuseppe Verdi's German-language reception provides important new perspectives on German musical culture and nationalism from the mid-nineteenth century onwards. Kreuzer argues that the concept of Germany's musical supremacy, so dear to its nationalist cause, was continually challenged by the popularity of Italian opera, a genre increasingly epitomised by Verdi. The book traces the many facets of this Italian-German opposition in the context of intense historical developments from German unification in 1871 to the end of World War II and beyond. Drawing on an exceptionally broad range of sources, Kreuzer explores the construction of visual and biographical images of Verdi; the marketing, interpretation and adaptation of individual works; regional, social and religious undercurrents in German musical life; and overt political appropriations. Suppressed, manipulated and, not least, guiltily enjoyed, Verdi emerges as a powerful influence on German intellectuals' ideas about their collective identity and Germany's paradigmatic musical Other. [Einbeck, Germany] [Publication Year: 2010] ...
ISBN10: 0521519195, ISBN13: 9780521519199, [publisher: Cambridge University Press] Hardcover Like New [Redhill, SURRE, United Kingdom] [Publication Year: 2010]
ISBN10: 0521519195, ISBN13: 9780521519199, [publisher: Cambridge University Press] Hardcover Druck auf Anfrage Neuware - Printed after ordering - This seminal study of Giuseppe Verdi's German-language reception provides important new perspectives on German musical culture and nationalism from the mid-nineteenth century onwards. Kreuzer argues that the concept of Germany's musical supremacy, so dear to its nationalist cause, was continually challenged by the popularity of Italian opera, a genre increasingly epitomised by Verdi. The book traces the many facets of this Italian-German opposition in the context of intense historical developments from German unification in 1871 to the end of World War II and beyond. Drawing on an exceptionally broad range of sources, Kreuzer explores the construction of visual and biographical images of Verdi; the marketing, interpretation and adaptation of individual works; regional, social and religious undercurrents in German musical life; and overt political appropriations. Suppressed, manipulated and, not least, guiltily enjoyed, Verdi emerges as a powerful influence on German intellectuals' ideas about their collective identity and Germany's paradigmatic musical Other. [Einbeck, Germany] [Publication Year: 2010] ...
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