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These days people seek knowledge, not wisdom. Knowledge is of the past, wisdom is of the future.
Baltimore: Johns Hopkins University Press, Date: 2006. Hardcover. Very Good -. x, [2], 291 p., [28] p. of illustrations; 23 cm. Black cloth with purple spine title. No dust jacket. Ex-library: stamped "Temple Univ" on upper page edges. A fascinating history of the work of women filmmakers in the first years of the American film industry, looking at Alice Guy Blaché, Gene Gauntier, Helen Holmes, Mabel Normand, Ida May Park, Mary Pickford, and Lois Weber among others. In Very Good- Condition: discoloration at tail of spine; front fixed endpaper scraped; ink underlining on 2 pages; otherwise, clean and tight. 2006. Johns Hopkins University Press ISBN 0801884365 9780801884368 [US]
ISBN10: 0801884365, ISBN13: 9780801884368, [publisher: Johns Hopkins University Press] Hardcover Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2006]
ISBN10: 0801884365, ISBN13: 9780801884368, [publisher: Johns Hopkins University Press] Hardcover Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Mishawaka, IN, U.S.A.] [Publication Year: 2006]
Johns Hopkins University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Johns Hopkins University Press ISBN 0801884365 9780801884368 [US]
Hardcover. Very Good/Very Good. Very light wear to jacket. Pages are clean, crisp, and unmarked. Your book will be securely packaged, and promptly dispatched. Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry -- a place of work -- Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone -- male and female -- helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar's study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate "big business" of the 1920s, and explaining the fate of the female filmmaker during the ...
ISBN10: 0801884365, ISBN13: 9780801884368, Hardcover Very light wear to jacket. Pages are clean, crisp, and unmarked. Your book will be securely packaged, and promptly dispatched. Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry -- a place of work -- Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone -- male and female -- helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar's study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate "big business" of the 1920s, and explaining the fate of the fema ...
Johns Hopkins University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Johns Hopkins University Press ISBN 0801884365 9780801884368 [US]
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. ISBN 0801884365 9780801884368 [US]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
