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Too many people find it's easier. to pray for forgiveness than to fight temptation.
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover Good Reading Copy, May have minor shelf wear, Fast Shipping - Safe and Secure in Mailer. [San Antonio, TX, U.S.A.] [Publication Year: 2002]
Univ Of Minnesota Press 2002 Paperback Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. [Harrisburg, PA, U.S.A.] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press 2002-07-24, Minneapolis] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press 2002-07-24, Minneapolis] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press] Softcover New copy - Usually dispatched within 4 working days. [Southport, United Kingdom] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!! [Suffolk, United Kingdom] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University Of Minnesota Press Jul 2002] Softcover Neuware - When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called 'the New Musicology.' Through case studies of works ranging from the canonical -- operas by Monteverdi and Bizet -- to the contemporary -- the performance art of Diamanda Galas and popular songs by Madonna -- Susan McClary focuses on the ways music produces images of gender, desire, pleasure, and the body, and explores the gender-based metaphors that circulate in discourse about music. The now classic work features a new introduction that discusses the critical reception it received and the debates it has inspired. [Einbeck, Germany] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 0.75 [Tucson, AZ, U.S.A.] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.75 [Amherst, NY, U.S.A.] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press] Softcover A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. . . . this is a major book . . . [McClarys] achievement borders on the miraculous. The Village VoiceNo one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals. ChoiceFeminine Endings, a provocative sexual politics of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClarys] book presents. All music-lovers should read it, and cheer. The Womens Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books [Houston, TX, U.S.A.] [Publication Year: 2002]
University of Minnesota Press, Date: 2002-07-24. Reprint. paperback. Used: Good. 2002. University of Minnesota Press ISBN 0816641897 9780816641895 [US]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press] Softcover KlappentextrnrnWhen it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the New Musicology. Throu. [Greven, Germany] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press] Softcover A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. . . . this is a major book . . . [McClarys] achievement borders on the miraculous. The Village VoiceNo one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals. ChoiceFeminine Endings, a provocative sexual politics of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClarys] book presents. All music-lovers should read it, and cheer. The Womens Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books [Houston, TX, U.S.A.] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University Of Minnesota Press Jul 2002] Softcover Neuware - When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called 'the New Musicology.' Through case studies of works ranging from the canonical -- operas by Monteverdi and Bizet -- to the contemporary -- the performance art of Diamanda Galas and popular songs by Madonna -- Susan McClary focuses on the ways music produces images of gender, desire, pleasure, and the body, and explores the gender-based metaphors that circulate in discourse about music. The now classic work features a new introduction that discusses the critical reception it received and the debates it has inspired. [Einbeck, Germany] [Publication Year: 2002]
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. ". . . this is a major b ISBN 0816641897 9780816641895 [GB]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press, Minnesota] Softcover Paperback. A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. . . . this is a major book . . . [McClarys] achievement borders on the miraculous. The Village VoiceNo one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals. ChoiceFeminine Endings, a provocative sexual politics of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClarys] book presents. All music-lovers should read it, and cheer. The Womens Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called "the New Musicology." Through case studies of works ranging from the canonical — operas by Mont ...
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press] Softcover KlappentextrnrnWhen it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the New Musicology. Throu. [Greven, Germany] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2002]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: University of Minnesota Press, Minnesota] Softcover Paperback. A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. . . . this is a major book . . . [McClarys] achievement borders on the miraculous. The Village VoiceNo one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals. ChoiceFeminine Endings, a provocative sexual politics of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClarys] book presents. All music-lovers should read it, and cheer. The Womens Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called "the New Musicology." Through case studies of works ranging from the canonical — operas by Mont ...
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover Book is in NEW condition. 0.75 [Hawthorne, CA, U.S.A.] [Publication Year: 2002]
Univ Of Minnesota Press, Date: 2002-07-24. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2002. Univ Of Minnesota Press ISBN 0816641897 9780816641895 [US]
ISBN10: 0816641897, ISBN13: 9780816641895, [publisher: Univ Of Minnesota Press] Softcover [DH, SE, Spain] [Publication Year: 2002]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
