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Univ Tennessee Press 1995-12-20 paperback Good Size: 7x1x9; Good condition. Text looks free of highlighting and underlining. Small marker mark on the inside of the front cover. Wear to the exterior. Corner crease on the back cover and light foxing on the text block.
Univ Tennessee Press, Date: 1995-12-20. paperback. Good. 7x1x9. Good condition. Text looks free of highlighting and underlining. Small marker mark on the inside of the front cover. Wear to the exterior. Corner crease on the back cover and light foxing on the text block. 1995. Univ Tennessee Press ISBN 0870498932 9780870498930 [US]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Good condition. Text looks free of highlighting and underlining. Small marker mark on the inside of the front cover. Wear to the exterior. Corner crease on the back cover and light foxing on the text block. [Ardmore, PA, U.S.A.] [Publication Year: 1995]
Univ Tennessee Press 1995 Trade paperback Fair An acceptable and readable copy. All pages are intact, and the spine and cover are also intact. This item may have light highlighting, writing or underlining through out the book, curled corners, missing dust jacket and or stickers.
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. [Carlstadt, NJ, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 1995]
University of Tennessee Press, Date: 1995. 424pp. Trade paperback, VG, still in shrink wrap, Drawing in part on interviews with elderly African-American banjo players from the Piedmont, Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performance, . Trade Paperback. Very Good. 1995. University of Tennessee Press ISBN 0870498932 9780870498930 [US]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: University of Tennessee Press] Softcover 424pp. Trade paperback, VG, still in shrink wrap, Drawing in part on interviews with elderly African-American banjo players from the Piedmont, Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performance, [Columbus, OH, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. [Tucson, AZ, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within [Amherst, NY, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press, USA] Softcover This copy is LIKE NEW; the text is clear, bright, and unmarked, but slightest shelf wear on edges; binding is tight. The covers also fine: absolutely intact in all ways, including perfect color and design. We have a five star rating because of our fulfilment success and because our descriptions are accurate. On foreign sales, because of the heavy weight of this book, we have to charge extra for shipping: however, we will only charge the difference between our regular shipping rate and the extra charge that the U.S.Post Office asks to ship the book. We guarantee: NO NASTY SURPRISES [Concord, CA, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover New! This book is in the same immaculate condition as when it was published [Tucson, AZ, U.S.A.] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: The University of Tennessee Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 1995]
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover First Edition Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!! [Suffolk, United Kingdom] [Publication Year: 1995]
The University of Tennessee Press 12/30/1995 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: University of Tennessee Press, Chicago] Softcover Paperback. Throughout the Upland South, the banjo has become an emblem of white mountain folk, who are generally credited with creating the short-thumb-string banjo, developing its downstroking playing styles and repertory, and spreading its influence to the national consciousness. In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgottenuntil now. Drawing in part on interviews with elderly African-American banjo players from the Piedmontamong the last American representatives of an African banjo-playing tradition that spans several centuriesConway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or populariz ...
The University of Tennessee Press 12/30/1995 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: University of Tennessee Press, Chicago] Softcover Paperback. Throughout the Upland South, the banjo has become an emblem of white mountain folk, who are generally credited with creating the short-thumb-string banjo, developing its downstroking playing styles and repertory, and spreading its influence to the national consciousness. In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgottenuntil now. Drawing in part on interviews with elderly African-American banjo players from the Piedmontamong the last American representatives of an African banjo-playing tradition that spans several centuriesConway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or populariz ...
ISBN10: 0870498932, ISBN13: 9780870498930, [publisher: Univ Tennessee Press] Softcover Buy for Great customer experience [Houston, TX, U.S.A.] [Publication Year: 1995]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
