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Neither genius, fame, nor love show the greatness of the soul. Only kindness can do that.
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy/J. Paul Getty Museum] Softcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 2003]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy/J. Paul Getty Museum] Softcover The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 2003]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: -] Softcover ILLUMINATING THE RENAISSANCE: THE TRIUMPH OF FLEMISH MANUSCRIPT PAINTING IN EUROPE This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. [Wallingford, United Kingdom] [Publication Year: 2003]
Used - Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. ISBN 1903973287 9781903973288 [GB]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy/J. Paul Getty Museum] Softcover Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. [Dunfermline, United Kingdom] [Publication Year: 2003]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: - -] Softcover This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. [Reading, United Kingdom] [Publication Year: 2003]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: -] Softcover ILLUMINATING THE RENAISSANCE: THE TRIUMPH OF FLEMISH MANUSCRIPT PAINTING IN EUROPE This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. [Wallingford, United Kingdom] [Publication Year: 2003]
J. Paul Getty Museum, Date: 2003. Soft cover. Very good/No jacket. Cover is slightly worn, particularly along edges. Text block and inside edges are tanned, but legibility is not affected. Cover page has previous owner's bookplate. Inside is unmarked. 2003. J. Paul Getty Museum ISBN 1903973287 9781903973288 [US]
J. Paul Getty Museum 2003 Soft cover Very good. No jacket Cover is slightly worn, particularly along edges. Text block and inside edges are tanned, but legibility is not affected. Cover page has previous owner's bookplate. Inside is unmarked.
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: J. Paul Getty Museum] Softcover Cover is slightly worn, particularly along edges. Text block and inside edges are tanned, but legibility is not affected. Cover page has previous owner's bookplate. Inside is unmarked. [Berkeley, CA, U.S.A.] [Publication Year: 2003]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy of Arts] Softcover A near fine copy. This is a very heavy book which will require additional shipping fee. [Hereford, United Kingdom] [Publication Year: 2003]
Royal Academy of Arts, Date: 2003. ~Prolifically illustrated in colour and black / white. ~Robust packaging. All UK orders with tracking, overseas orders on request.. Paperback. Fine. xv, 576pp. 22.5 x 30cm. No ownership marks. Binding sound, text unmarked. 2003. Royal Academy of Arts ISBN 1903973287 9781903973288 [GB]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy of Arts] Softcover ~Prolifically illustrated in colour and black / white. ~Robust packaging. All UK orders with tracking, overseas orders on request. Size: xv, 576pp. 22.5 x 30cm. No ownership marks [Oxford, United Kingdom] [Publication Year: 2003]
ISBN10: 1903973287, ISBN13: 9781903973288, Hardcover 2003 Royal Academy large format hardcover edition. Ex library copy with stamps and labels and without dustjacket else good condition. [Cirencester, United Kingdom] [Publication Year: 2003]
Los Angeles / London : The J. Paul Getty Museum / Royal Academy , Date: 2003. Card covers in tidy condition, contents clean, a heavy book that will require an additional shipping fee for some international destinations, please contact for details. Paperback. Very Good. Large 4to. 2003. The J. Paul Getty Museum / Royal Academy ISBN 1903973287 9781903973288 [GB]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: The J. Paul Getty Museum / Royal Academy, Los Angeles / London] Softcover Card covers in tidy condition, contents clean, a heavy book that will require an additional shipping fee for some international destinations, please contact for details Size: Large 4to [Leicester, United Kingdom] [Publication Year: 2003]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: Royal Academy/J. Paul Getty Museum] Softcover Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 6.26 [Hawthorne, CA, U.S.A.] [Publication Year: 2003]
Los Angeles / London: The J. Paul Getty Museum / Royal Academy Of Arts, Date: 2003. Softcover. VG (scuffs, scratches & rubbed edge-wear to wraps; back upper wrap edge has small divet w/ transference to closing pg. spine ends rubs w/ creasing to top.). pictorial & grey wraps w/ red printing. 576 pgs w/ primarily color illustrations. This is a masterful account of Flemish illumination during its height, 1470-1560. Both precious objects and conveyors of serious meaning, the manuscripts considered here range from ecclesiastical texts, romance, and historical chronicles to ancient authors. The authors' collective and most welcome approach discusses manuscript production in terms of producers and consumers, with respect to artistic, political, and historical issues; these include interrelations between painters and illuminators, and collaboration among printer and illuminator, named scribes, and patronage. The illuminated manuscript is thus integrated into the intellectual and artistic contexts of the Renaissance, instead of regarded in isolation. The advent of printing coexisted with illumination for a time and, at least in one case, in the same workshop. Around 1475, printer Colard Mansion produced manuscripts with illuminations as well as printed texts that had spaces designated for such illustrations. Those who commissioned manuscripts and held sizable libraries included aristocrat Philippe de Homes and rulers Philip the Good, Charles the Bold, and Margaret of York.--WorldCat ...
Los Angeles / London: The J. Paul Getty Museum / Royal Academy Of Arts, Date: 2003. Softcover. VG (scuffs, scratches & rubbed edge-wear to wraps; back upper wrap edge has small divet w/ transference to closing pg. spine ends rubs w/ creasing to top.). pictorial & grey wraps w/ red printing. 576 pgs w/ primarily color illustrations. This is a masterful account of Flemish illumination during its height, 1470-1560. Both precious objects and conveyors of serious meaning, the manuscripts considered here range from ecclesiastical texts, romance, and historical chronicles to ancient authors. The authors' collective and most welcome approach discusses manuscript production in terms of producers and consumers, with respect to artistic, political, and historical issues; these include interrelations between painters and illuminators, and collaboration among printer and illuminator, named scribes, and patronage. The illuminated manuscript is thus integrated into the intellectual and artistic contexts of the Renaissance, instead of regarded in isolation. The advent of printing coexisted with illumination for a time and, at least in one case, in the same workshop. Around 1475, printer Colard Mansion produced manuscripts with illuminations as well as printed texts that had spaces designated for such illustrations. Those who commissioned manuscripts and held sizable libraries included aristocrat Philippe de Homes and rulers Philip the Good, Charles the Bold, and Margaret of York.--WorldCat ...
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: The J. Paul Getty Museum / Royal Academy Of Arts, Los Angeles / London] Softcover pictorial & grey wraps w/ red printing. 576 pgs w/ primarily color illustrations. This is a masterful account of Flemish illumination during its height, 1470-1560. Both precious objects and conveyors of serious meaning, the manuscripts considered here range from ecclesiastical texts, romance, and historical chronicles to ancient authors. The authors' collective and most welcome approach discusses manuscript production in terms of producers and consumers, with respect to artistic, political, and historical issues; these include interrelations between painters and illuminators, and collaboration among printer and illuminator, named scribes, and patronage. The illuminated manuscript is thus integrated into the intellectual and artistic contexts of the Renaissance, instead of regarded in isolation. The advent of printing coexisted with illumination for a time and, at least in one case, in the same workshop. Around 1475, printer Colard Mansion produced manuscripts with illuminations as well as printed texts that had spaces designated for such illustrations. Those who commissioned manuscripts and held sizable libraries included aristocrat Philippe de Homes and rulers Philip the Good, Charles the Bold, and Margaret of York.--WorldCat. VG (scuffs, scratches & rubbed edge-wear to wraps; back upper wrap edge has small divet w/ tra ...
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
Los Angeles / London The J. Paul Getty Museum / Royal Academy Of Arts 2003 Softcover VG (scuffs, scratches & rubbed edge-wear to wraps; back upper wrap edge has small divet w/ transference to closing pg. spine ends rubs w/ creasing to top. ) Pictorial & grey wraps w/ red printing. 576 pgs w/ primarily color illustrations. This is a masterful account of Flemish illumination during its height, 1470-1560. Both precious objects and conveyors of serious meaning, the manuscripts considered here range from ecclesiastical texts, romance, and historical chronicles to ancient authors. The authors' collective and most welcome approach discusses manuscript production in terms of producers and consumers, with respect to artistic, political, and historical issues; these include interrelations between painters and illuminators, and collaboration among printer and illuminator, named scribes, and patronage. The illuminated manuscript is thus integrated into the intellectual and artistic contexts of the Renaissance, instead of regarded in isolation. The advent of printing coexisted with illumination for a time and, at least in one case, in the same workshop. Around 1475, printer Colard Mansion produced manuscripts with illuminations as well as printed texts that had spaces designated for such illustrations. Those who commissioned manuscripts and held sizable libraries included aristocrat Philippe de Homes and rulers Philip the Good, Charles the Bold, and Margaret of York. --WorldCat.
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: London, Royal Academy of Arts, 2003] Softcover Large paperback. 29x22 cm. 576 p. Profusely illustrated in colour. -good.-(Some minor shelf wear/signs of use, but overall the book is in good condition.). ISBN 9781903973288. [Groningen, Netherlands] [Publication Year: 2003]
London, Royal Academy of Arts, 2003. Large paperback. 29x22 cm. 576 p. Profusely illustrated in colour.. -good.-(Some minor shelf wear/signs of use, but overall the book is in good condition.). ISBN 9781903973288. London, Royal Academy of Arts, 2003 ISBN 1903973287 9781903973288 [NL]
ISBN10: 1903973287, ISBN13: 9781903973288, [publisher: London, Royal Academy of Arts, 2003] Softcover Large paperback. 29x22 cm. 576 p. Profusely illustrated in colour. -good.-(Some minor shelf wear/signs of use, but overall the book is in good condition.). ISBN 9781903973288. [Groningen, Netherlands] [Publication Year: 2003]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
