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Brepols N. V 4/9/2003 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Brepols N. V 4/9/2003 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Turnhout: Brepols Publishers, n.v., Date: 2000. Hardcover. VG/VG but art school ex-lib. with usual marks. Black cloth/boards; gilt lettering. Black/color-illustrated dj with white lettering. Mylar cover. xii, 388 pp. with 133 bw illustrations. Text in English. "All relevant documents illustrating the aesthetic preferences of the Burgundian nobility appear in this book, which discusses the votive protraits of Charles the Bold, as well as the circumstances surrounding the commission of Loyet´s sole surviving work - the Liège statuette. The references to Charles the Bold´s work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. The circumstances surrounding the commission of the Liège statuette - Loyet´s sole surviving work - are discussed in detail, and all documents relating to the statuette are included in appendix II. In the second chapter of part II, the focus is on the statuette´s iconography, which is unique for a votive gift. Charles´s motives are further investigated in the final chapter of part II, which discusses the votive portraits that he donated to other shrines. In the third and final part, the attention shifts to votive gifts, and more specifically to the genre of votive ...
Turnhout: Brepols Publishers, n.v., Date: 2000. Hardcover. VG/VG but art school ex-lib. with usual marks. Black cloth/boards; gilt lettering. Black/color-illustrated dj with white lettering. Mylar cover. xii, 388 pp. with 133 bw illustrations. Text in English. "All relevant documents illustrating the aesthetic preferences of the Burgundian nobility appear in this book, which discusses the votive protraits of Charles the Bold, as well as the circumstances surrounding the commission of Loyet´s sole surviving work - the Liège statuette. The references to Charles the Bold´s work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. The circumstances surrounding the commission of the Liège statuette - Loyet´s sole surviving work - are discussed in detail, and all documents relating to the statuette are included in appendix II. In the second chapter of part II, the focus is on the statuette´s iconography, which is unique for a votive gift. Charles´s motives are further investigated in the final chapter of part II, which discusses the votive portraits that he donated to other shrines. In the third and final part, the attention shifts to votive gifts, and more specifically to the genre of votive ...
ISBN10: 2503507220, ISBN13: 9782503507224, [publisher: Brepols Publishers, n.v., Turnhout] Hardcover Black cloth/boards; gilt lettering. Black/color-illustrated dj with white lettering. Mylar cover. xii, 388 pp. with 133 bw illustrations. Text in English. "All relevant documents illustrating the aesthetic preferences of the Burgundian nobility appear in this book, which discusses the votive protraits of Charles the Bold, as well as the circumstances surrounding the commission of Loyet s sole surviving work - the Liège statuette. The references to Charles the Bold s work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. The circumstances surrounding the commission of the Liège statuette - Loyet s sole surviving work - are discussed in detail, and all documents relating to the statuette are included in appendix II. In the second chapter of part II, the focus is on the statuette s iconography, which is unique for a votive gift. Charles s motives are further investigated in the final chapter of part II, which discusses the votive portraits that he donated to other shrines. In the third and final part, the attention shifts to votive gifts, and more specifically to the genre of votiv ...
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
Turnhout Brepols Publishers, n. v 2000 Hardcover VG/VG but art school ex-lib. with usual marks Black cloth/boards; gilt lettering. Black/color-illustrated dj with white lettering. Mylar cover. xii, 388 pp. with 133 bw illustrations. Text in English. "All relevant documents illustrating the aesthetic preferences of the Burgundian nobility appear in this book, which discusses the votive protraits of Charles the Bold, as well as the circumstances surrounding the commission of Loyet´s sole surviving work-the Liège statuette. The references to Charles the Bold´s work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. The circumstances surrounding the commission of the Liège statuette-Loyet´s sole surviving work-are discussed in detail, and all documents relating to the statuette are included in appendix II. In the second chapter of part II, the focus is on the statuette´s iconography, which is unique for a votive gift. Charles´s motives are further investigated in the final chapter of part II, which discusses the votive portraits that he donated to other shrines. In the third and final part, the attention shifts to votive gifts, and more specifically to the genre of votive portraits."-from ...
ISBN10: 2503507220, ISBN13: 9782503507224, [publisher: Brepols N.V.] Hardcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2003]
ISBN10: 2503507220, ISBN13: 9782503507224, [publisher: Brepols N.V., Turnhout] Hardcover Hardcover. The references to Charles the Bold's work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. The circumstances surrounding the commission of the Liege statuette - Loyet's sole surviving work - are discussed in detail, and all documents relating to the statuette are included in appendix II. In the second chapter of part II, the focus is on the statuette's iconography, which is unique for a votive gift. Charles's motives are further investigated in the final chapter of part II, which discusses the votive portraits that he donated to other shrines. In the third and final part, the attention shifts to votive gifts, and more specifically to the genre of votive portraits. The references to Charles the Bold's work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. In the second chapt ...
Turnhout Brepols 2000. Hardback, 388 p., + ill., 180 x 250 mm. ISBN 9782503507224. The references to Charles the Bold?s work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. The circumstances surrounding the commission of the Liege statuette - Loyet?s sole surviving work - are discussed in detail, and all documents relating to the statuette are included in appendix II. In the second chapter of part II, the focus is on the statuette?s iconography, which is unique for a votive gift. Charles?s motives are further investigated in the final chapter of part II, which discusses the votive portraits that he donated to other shrines. In the third and final part, the attention shifts to votive gifts, and more specifically to the genre of votive portraits. Languages: English. Turnhout Brepols 2000 ISBN 2503507220 9782503507224 [BE]
ISBN10: 2503507220, ISBN13: 9782503507224, [publisher: Brepols N.V., Turnhout] Hardcover Hardcover. The references to Charles the Bold's work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. The circumstances surrounding the commission of the Liege statuette - Loyet's sole surviving work - are discussed in detail, and all documents relating to the statuette are included in appendix II. In the second chapter of part II, the focus is on the statuette's iconography, which is unique for a votive gift. Charles's motives are further investigated in the final chapter of part II, which discusses the votive portraits that he donated to other shrines. In the third and final part, the attention shifts to votive gifts, and more specifically to the genre of votive portraits. The references to Charles the Bold's work, which are largely drawn from the accounts of the chambres des comptes at Lille and Brussels, amply illustrate the aesthetic preferences of the Burgundian nobility. All the relevant documents, most of which have not been published before, appear in appendix I. The second part of the book reviews the votive portraits of Charles the Bold. In the second chapt ...
ISBN10: 2503507220, ISBN13: 9782503507224, [publisher: Brepols Publishers, Turnhout] Hardcover Hugo Van der Welden,The Donor's Image.Gérard Loyet and the Votive Portraits of Charles the Bold.Turnhout 2000 Brepols Publishers Pages 388 ills.numerose 180 x 250 mm.Hardback ( Burgundica 2 ) Euro 125,00.- xx Size: 180 X250 Mm. [PREGANZIOL, TV, Italy] [Publication Year: 2000]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
