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I seek constantly to improve my manners and graces, for they are the sugar to which all are attracted.
ISBN10: 0190460164, ISBN13: 9780190460167, [publisher: Oxford University Press] Hardcover Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 3.51 [Tucson, AZ, U.S.A.] [Publication Year: 2019]
ISBN10: 0190460164, ISBN13: 9780190460167, [publisher: Oxford University Press] Hardcover Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 3.51 [Amherst, NY, U.S.A.] [Publication Year: 2019]
ISBN10: 0190460164, ISBN13: 9780190460167, [publisher: Oxford University Press] Hardcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 3.51 [Hawthorne, CA, U.S.A.] [Publication Year: 2019]
ISBN10: 0190460164, ISBN13: 9780190460167, [publisher: Oxford University Press] Hardcover Book is in NEW condition. 3.51 [Hawthorne, CA, U.S.A.] [Publication Year: 2019]
ISBN10: 0190460164, ISBN13: 9780190460167, [publisher: Oxford University Press] Hardcover New! This book is in the same immaculate condition as when it was published 3.51 [Tucson, AZ, U.S.A.] [Publication Year: 2019]
ISBN10: 0190460164, ISBN13: 9780190460167, [publisher: Oxford University Press Inc, New York] Hardcover Hardcover. Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games. In this two-volume Handbook, contributors address the tendency to discuss musical imagination through terms like compositional creativity or performance technique, correcting the current bias towards visual imagination to instead highlight the many forms of sonic and musical imagination. Shippin ...
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