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Oxford University Press, USA. As New. Date: 2008. Paperback. 0195383583 . This book is like new; no remainder marks. Unread copy. It does have some shelfwear. Inside pages are clean. ; 9.21 X 5.98 X 0.87 inches; 368 pages . 2008. Oxford University Press, USA ISBN 0195383583 9780195383584 [US]
Oxford University Press, USA 2008 Paperback As New 0195383583. This book is like new; no remainder marks. Unread copy. It does have some shelfwear. Inside pages are clean.; 9.21 X 5.98 X 0.87 inches; 368 pages.
ISBN10: 0195383583, ISBN13: 9780195383584, [publisher: Oxford University Press, USA] Softcover This book is like new; no remainder marks. Unread copy. It does have some shelfwear. Inside pages are clean. ; 9.21 X 5.98 X 0.87 inches; 368 pages [PFLUGERVILLE, TX, U.S.A.] [Publication Year: 2008]
ISBN10: 0195383583, ISBN13: 9780195383584, [publisher: Oxford University Press, U.S.A.] Softcover Most items will be dispatched the same or the next working day. [Rossendale, LANCS, United Kingdom] [Publication Year: 2008]
ISBN10: 0195383583, ISBN13: 9780195383584, [publisher: Oxford University Press, U.S.A.] Softcover Most items will be dispatched the same or the next working day. [Rossendale, LANCS, United Kingdom] [Publication Year: 2008]
ISBN10: 0195383583, ISBN13: 9780195383584, [publisher: Oxford University Press] Softcover Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. [Hawthorne, CA, U.S.A.] [Publication Year: 2008]
Paperback / softback. New. The work of composer Manuel de Falla (1876-1946) ranges from late-romantic salon pieces to evocations of flamenco to stark neoclassicism. Yet his work has met with a variety of reactions, depending on the audience. In his native Spain, he is considered a leader in the avant-garde and the greatest composer in the Spanish cultural renaissance that extended from the latter part of the nineteenth century until the outbreak of the Spanish Civil War in 1936. In the United States his music was imported as part of the "Latin" music craze of the 1930s and 40s and arranged by pop artists and used in MGM musicals. Similarly enigmatic are the details of Falla's life. He never sustained a lasting, intimate relationship with a woman, yet he created compelling female roles for the lyric stage. Although he became incensed when publishers altered his music, he more than once tinkered with Chopin and Debussy. Despite insisting that he was apolitical, he ultimately took sides in the Spanish Civil War. All his life, his rigorous brand of Roman Catholicism brought him both solace and agony in his quest for spiritual and artistic perfection. In Sacred Passions: The Life and Music of Manuel de Falla, Carol Hess explores these contradictions and offers a fresh understanding of the life and work of Manuel de Falla. Building on over a decade of research on Spanish music, Hess examines his work in terms of musical style and explores the cultural milieu in ...
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