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Oxford University Press, January Date: 1993. Hardcover. VG/Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. 1993. Oxford University Press ISBN 0195885953 9780195885958 [US]
Oxford University Pres, Date: 1993 First edition in hardcover with dust jacket. The jacket has one tear, edge creasing, some sunning to the spine. Fine/Very Good. 1993. Oxford University Pres ISBN 0195885953 9780195885958 [CA]
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Pres] Hardcover First Edition First edition in hardcover with dust jacket. The jacket has one tear, edge creasing, some sunning to the spine. Fine/Very Good. [Calgary, AB, Canada] [Publication Year: 1993]
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press January 1993] Hardcover used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. [Seattle, WA, U.S.A.] [Publication Year: 1993]
Oxford University Press 1993 hardcover Good Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! [Dallas, TX, U.S.A.] [Publication Year: 1993]
Oxford: Oxford University Press, Date: 1992. This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the region and the Chinese-influenced theatre of Vietnam are discussed separately. 175 pp., 117 b&w and 40 colour plates, 9 line drawings. Very slight discolouration of endpapers; otherwise a new/unread copy.. First. Hard bound. Fine/Fine. 25 x 19 cm.. 1992. Oxford University Press ISBN 0195885 ...
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Oxford] Hardcover First Edition This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the region and the Chinese-influenced theatre of Vietnam are discussed separately. 175 pp., 117 b&w and 40 colour plates, 9 line drawings. Very slight discolouration of endpapers; otherwise a new/unread copy. Size: 25 x ...
Singapore/ New York: Oxford University Press, Date: 1992. Hardcover. VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Pages are otherwise very clean and clear.). Color illustrated boards; matching dj with yellow lettering. Mylar cover. xx + 175 pp. bw illustrations with several in color. This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the re ...
Singapore/ New York: Oxford University Press, Date: 1992. Hardcover. VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Pages are otherwise very clean and clear.). Color illustrated boards; matching dj with yellow lettering. Mylar cover. xx + 175 pp. bw illustrations with several in color. This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the re ...
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. [Berlin, Germany] [Publication Year: 1993]
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Singapore/ New York] Hardcover Color illustrated boards; matching dj with yellow lettering. Mylar cover. xx + 175 pp. bw illustrations with several in color. This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the region and the Chinese-influenced theatre of Vietnam are discussed separately. VG/VG (Ex-librar ...
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
Singapore/ New York Oxford University Press 1992 Hardcover VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Pages are otherwise very clean and clear. ) Color illustrated boards; matching dj with yellow lettering. Mylar cover. xx + 175 pp. bw illustrations with several in color. This lavishly illustrated book provides an introduction to the rich traditions of South-East Asian dance, theatre, and puppet theatre. In South-East Asia, as elsewhere in Asia, it is often not possible to draw a clear line between dance and theatre. Most theatrical forms are performed by dance movements or with dance-like gestures to the accompaniment of music. South-East Asian theatre is also characterized by the interaction of puppet theatre and living theatre which have their roots firmly in history. The movements and gestures of dancer-actors, the stories and their specific language, the musical instruments, and the elaborate costumes and masks can be hundreds or even thousands of years old. The book focuses mainly on classical traditions which are still performed, and separate chapters are devoted to Burma, Thailand, Java, and Bali. Malaysia, Cambodia, and Laos, where the classical traditions have partly disappeared or where performances incorporating these are now difficult for outsiders to see, are also referred to. Because South-East Asia has a significant Chinese population with its own theatrical traditions, Chinese theatre in the region and t ...
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. [Berlin, Germany] [Publication Year: 1993]
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Oxford] Hardcover First Edition Large 8vo. pp xx, 175. Colour illustrated dust jacket with orange and grey lettering. Original publisher's printed boards with same image as dust jacket. Illustrated throughout in black and white and colour. ISBN: 0195885953 Embossed ownership stamp of John Michael Blundall (19372014), British puppet-maker, theatre director and collector. Otherwise very good indeed in very good+ dust jacket. [London, United Kingdom] [Publication Year: 1992]
Oxford, New York, Singapore,, Date: 1992. First Edition. Hardback. Dust Jacket.. Embossed ownership stamp of John Michael Blundall (1937Ð2014), British puppet-maker, theatre director and collector. Otherwise very good indeed in very good+ dust jacket.. Large 8vo. pp xx, 175. Colour illustrated dust jacket with orange and grey lettering. Original publisher's printed boards with same image as dust jacket. Illustrated throughout in black and white and colour. ISBN: 0195885953 1992. ISBN 0195885953 9780195885958 [GB]
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press, Oxford] Hardcover First Edition Large 8vo. pp xx, 175. Colour illustrated dust jacket with orange and grey lettering. Original publisher's printed boards with same image as dust jacket. Illustrated throughout in black and white and colour. ISBN: 0195885953 Embossed ownership stamp of John Michael Blundall (19372014), British puppet-maker, theatre director and collector. Otherwise very good indeed in very good+ dust jacket. [London, United Kingdom] [Publication Year: 1992]
Singapore: White Lotus Press, Date: 1992. Paperback. Good/no dj. 0.98. Classical Dance and Theatre in South-East Asia 1992. White Lotus Press ISBN 0195885953 9780195885958 [US]
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:0195885953 [Lincoln, United Kingdom] [Publication Year: 1992]
Oxford University Press, Date: 1992. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:0195885953 1992. Oxford University Press ISBN 0195885953 9780195885958 [GB]
ISBN10: 0195885953, ISBN13: 9780195885958, [publisher: Oxford University Press] Hardcover This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:0195885953 [Lincoln, United Kingdom] [Publication Year: 1992]
Singapore: Oxford University Press, Usa, Date: 1992. First edition. Hardcover. Fine/fine. A well illustrated introduction to the wide variety of classical theatre and dance still thriving when the book was written as well traditions which were disappearing. The book also includes the puppet theatre traditions from various parts of the region as well as the dance and theatre traditions of the Chinese diaspora. First Edition Fine Hardback in a Fine Dust Jacket. 175 pages. For further details, please see the scanned contents page. Weight: 1.5 kg. Post free within Malaysia, but may incur additional charges when posted outside Malaysia 1992. Oxford University Press, Usa ISBN 0195885953 9780195885958 [MY]
Oxford University Press 1992 Hard cover This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 950grams, ISBN: 0195885953.
In overall good condition, no pages missing. Shipping can take between 2-6weeks for international deliveries. Hardback copies may or may not have dust jackets, please get in contact for more information. ISBN 0195885953 9780195885958 [GB]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
