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ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press, Oxford] Hardcover First Edition Second impression. [Isle of Wight, United Kingdom] [Publication Year: 2018]
Hardback. New. Explores the use made by poets and novelists of street songs and cries with a particular focus on nineteenth and early twentieth century writers including William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust. ISBN 0198792352 9780198792352 [GB]
Oxford Oxford University Press 2018 Hard cover New. Contains: Unspecified. Clarendon Lectures in English . Includes unspecified. Intended for professional and scholarly audience.
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press] Hardcover New copy - Usually dispatched within 4 working days. Explores the use made by poets and novelists of street songs and cries with a particular focus on nineteenth and early twentieth century writers including William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust. [Southport, United Kingdom] [Publication Year: 2019]
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press] Hardcover Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 0.84 [Tucson, AZ, U.S.A.] [Publication Year: 2019]
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press] Hardcover Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 0.84 [Amherst, NY, U.S.A.] [Publication Year: 2019]
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press] Hardcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.84 [Hawthorne, CA, U.S.A.] [Publication Year: 2019]
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press] Hardcover Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.84 [Hawthorne, CA, U.S.A.] [Publication Year: 2019]
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press] Hardcover New! This book is in the same immaculate condition as when it was published 0.84 [Tucson, AZ, U.S.A.] [Publication Year: 2019]
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press] Hardcover Buy with confidence! Book is in new, never-used condition 0.84 [Amherst, NY, U.S.A.] [Publication Year: 2019]
Oxford Oxford University Press 2018 Hard cover New. Contains: Unspecified. Clarendon Lectures in English . Includes unspecified. Intended for professional and scholarly audience.
ISBN10: 0198792352, ISBN13: 9780198792352, [publisher: Oxford University Press, Oxford] Hardcover Hardcover. This book, based on the Clarendon Lectures for 2016, is about the use made by poets and novelists of street songs and cries. Karlin begins with the London street-vendor's cry of 'Cherry-ripe!', as it occurs in poems from the sixteenth to the twentieth century: the 'Cries of London' (and Paris) exemplify the fascination of this urban art to writers of every period. Focusing on nineteenth and early twentieth century writers, the book traces the theme in works byWilliam Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust. As well as street-cries, these writers incorporate ballads,folk songs, religious and political songs, and songs of their own invention into crucial scenes, and the singers themselves range from a one-legged beggar in Dublin to a famous painter in fifteenth-century Florence. The book concludes with the beautiful and unlikely 'song' of a knife-grinder's wheel. Throughout the book Karlin emphasizes the rich complexity of his subject. The street singer may be figured as an urban Orpheus, enchanting the crowd and possessed of magicalpowers of healing and redemption; but the barbaric din of the modern city is never far away, and the poet who identifies with Orpheus may also dread his fate. And the fugitive, transient nature of songo ...
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