DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
To beat the market you'll have to invest serious bucks to dig up information no one else has yet.
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press] Hardcover New York : Oxford University Press, 2014. Hardcover. Dustjacket. 313 pp. - American director Robert Altman (1925-2006) first came to national attention with the surprise blockbuster M*A*S*H (1970), and he directed more than thirty feature films in the subsequent decades. Critics and scholars have noted that music is central to Altman's films, and in addition to his feature films, Altman worked in theater, opera, and the emerging field of cable television. His treatment of sound is a hallmark of his films, alongside overlapping dialogue, improvisation, and large ensemble casts. Several of his best-known films integrate musical performances into the central plot, including Nashville (1975), Popeye (1980), Short Cuts (1993), Kansas City (1996), The Company (2003) and A Prairie Home Companion (2006), his final film. Even such non-musicals as McCabe and Mrs. Miller (1971) have been described as, in fellow director and protege Paul Thomas Anderson's evocative phrase, as musicals without people singing. Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the lat ...
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press] Hardcover New York : Oxford University Press, 2014. Hardcover. Dustjacket. 313 pp. - American director Robert Altman (1925-2006) first came to national attention with the surprise blockbuster M*A*S*H (1970), and he directed more than thirty feature films in the subsequent decades. Critics and scholars have noted that music is central to Altman's films, and in addition to his feature films, Altman worked in theater, opera, and the emerging field of cable television. His treatment of sound is a hallmark of his films, alongside overlapping dialogue, improvisation, and large ensemble casts. Several of his best-known films integrate musical performances into the central plot, including Nashville (1975), Popeye (1980), Short Cuts (1993), Kansas City (1996), The Company (2003) and A Prairie Home Companion (2006), his final film. Even such non-musicals as McCabe and Mrs. Miller (1971) have been described as, in fellow director and protege Paul Thomas Anderson's evocative phrase, as musicals without people singing. Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the lat ...
Oxford: Oxford University Press, Date: 2014. First edition. hardcover. very good/very good. 8vo. pp.296 2014. Oxford University Press ISBN 0199915962 9780199915965 [CA]
Oxford University Press 2014 Hard cover *Price HAS BEEN REDUCED by 10% until Monday, June 3 (sale item)* 314 pp., Hardcover, fine in fine dust jacket. -If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Oxford University Press, Date: 2014. *Price HAS BEEN REDUCED by 10% until Monday, June 3 (sale item)* 314 pp., Hardcover, fine in fine dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. 2014. Oxford University Press ISBN 0199915962 9780199915965 [US]
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press] Hardcover *Price HAS BEEN REDUCED by 10% until Monday, June 3 (sale item)* 314 pp., Hardcover, fine in fine dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. [Cleveland, OH, U.S.A.] [Publication Year: 2014]
NY Oxford University Press 2014 1st Hard As New in As New jacket 8vo. First edition. Hard cover in dust jacket. Published NY: Oxford University Press, 2014, first printing. 8vo., xiii+296pp., illustrated. Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood" boom of the 1990s and its bust in the early 2000s. As its frame, the book considers the continuing attractions of auteurism inside and outside of scholarly discourse, by considering Altman's career in terms of the director's own self-promotion as a visionary and artist; the film industry's promotion of Altman the auteur; the emphasis on Altman's individual style, including his use of music, by the director, critics, scholars, and within the industry; and the processes, tensions, and boundaries of collaboration. As new, in as new dust jacket.
NY: Oxford University Press, Date: 2014. First edition. Hard cover in dust jacket. Published NY: Oxford University Press, 2014, first printing. 8vo., xiii+296pp., illustrated. Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood" boom of the 1990s and its bust in the early 2000s. As its frame, the book considers the continuing attractions of auteurism inside and outside of scholarly discourse, by considering Altman's career in terms of the director's own self-promotion as a visionary and artist; the film industry's promotion of Altman the auteur; the emphasis on Altman's individual style, including his use of music, by the director, critics, scholars, and within the industry; and the processes, tensions, and boundaries of collaboration. As new, in as new dust jacket. . 1st. Hard. As New/As New. 8vo. 2014. Oxford University Press ISBN 0199915962 9780199915965 [US]
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press, NY] Hardcover First Edition First edition. Hard cover in dust jacket. Published NY: Oxford University Press, 2014, first printing. 8vo., xiii+296pp., illustrated. Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood" boom of the 1990s and its bust in the early 2000s. As its frame, the book considers the continuing attractions of auteurism inside and outside of scholarly discourse, by considering Altman's career in terms of the director's own self-promotion as a visionary and artist; the film industry's promotion of Altman the auteur; the emphasis on Altman's individual style, including his use of music, by the director, critics, scholars, and within the industry; and the processes, tensions, and boundaries of collaboration. As new, in as new dust jacket. Size: 8vo [Granville, NY, U.S.A.] [Publication Year: 2014] ...
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press] Hardcover Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. 1.25 [Hawthorne, CA, U.S.A.] [Publication Year: 2014]
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press OUP] Hardcover pp. 312 Index [New York, NY, U.S.A.] [Publication Year: 2014]
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press Inc, New York] Hardcover Hardcover. American director Robert Altman (1925-2006) first came to national attention with the surprise blockbuster M*A*S*H (1970), and he directed more than thirty feature films in the subsequent decades. Critics and scholars have noted that music is central to Altman's films, and in addition to his feature films, Altman worked in theater, opera, and the emerging field of cable television. His treatment of sound is a hallmark of his films, alongside overlapping dialogue, improvisation, and large ensemble casts. Several of his best-known films integrate musical performances into the central plot, including Nashville (1975), Popeye (1980), Short Cuts (1993), Kansas City (1996), The Company (2003) and A Prairie Home Companion (2006), his final film. Even such non-musicals as McCabe and Mrs. Miller (1971) have been described as, in fellow director and protege Paul Thomas Anderson's evocative phrase, as "musicals without people singing." Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood&qu ...
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press] Hardcover Like New [Redhill, SURRE, United Kingdom] [Publication Year: 2014]
ISBN10: 0199915962, ISBN13: 9780199915965, [publisher: Oxford University Press] Hardcover [DH, SE, Spain] [Publication Year: 2014]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.