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I never think of the future. It comes soon enough.
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. 1.17 [Hawthorne, CA, U.S.A.] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 1.17 [Tucson, AZ, U.S.A.] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover Book is in NEW condition. 1.17 [Hawthorne, CA, U.S.A.] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover New! This book is in the same immaculate condition as when it was published 1.17 [Tucson, AZ, U.S.A.] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press 2020-12-18, Chicago] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2020]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 1.17 [Tucson, AZ, U.S.A.] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.17 [Hawthorne, CA, U.S.A.] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University of Chicago Press, Chicago, IL] Softcover Paperback. For decades, millions of music fans have gathered every summer in parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they changing our relationship to music, leisure, and public culture? In Everyone Loves Live Music, Fabian Holt looks beyond the marketing hype to show how festivals and other institutions of musical performance have evolved in recent decades, as sites that were once meaningful sources of community and culture are increasingly subsumed by corporate giants. Examining a diverse range of cases across Europe and the United States, Holt upends commonly-held ideas of live music and introduces a pioneering theory of performance institutions. He explores the fascinating history of the club and the festival in San Francisco and New York, as well as a number of European cities. This book also explores the social forces shaping live music as small, independent venues become corporatized and as festivals transform to promote mainstream Anglophone culture and its consumerist trappings. The book further provides insight into the broader relationship between culture and community in the twenty-first century. An engaging read for fans, industry professionals, and scholars alike, ...
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University of Chicago Press, Chicago, IL] Softcover Paperback. For decades, millions of music fans have gathered every summer in parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they changing our relationship to music, leisure, and public culture? In Everyone Loves Live Music, Fabian Holt looks beyond the marketing hype to show how festivals and other institutions of musical performance have evolved in recent decades, as sites that were once meaningful sources of community and culture are increasingly subsumed by corporate giants. Examining a diverse range of cases across Europe and the United States, Holt upends commonly-held ideas of live music and introduces a pioneering theory of performance institutions. He explores the fascinating history of the club and the festival in San Francisco and New York, as well as a number of European cities. This book also explores the social forces shaping live music as small, independent venues become corporatized and as festivals transform to promote mainstream Anglophone culture and its consumerist trappings. The book further provides insight into the broader relationship between culture and community in the twenty-first century. An engaging read for fans, industry professionals, and scholars alike, ...
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press 2020-12-18, Chicago] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2020]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University of Chicago Press, Chicago, IL] Softcover Paperback. For decades, millions of music fans have gathered every summer in parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they changing our relationship to music, leisure, and public culture? In Everyone Loves Live Music, Fabian Holt looks beyond the marketing hype to show how festivals and other institutions of musical performance have evolved in recent decades, as sites that were once meaningful sources of community and culture are increasingly subsumed by corporate giants. Examining a diverse range of cases across Europe and the United States, Holt upends commonly-held ideas of live music and introduces a pioneering theory of performance institutions. He explores the fascinating history of the club and the festival in San Francisco and New York, as well as a number of European cities. This book also explores the social forces shaping live music as small, independent venues become corporatized and as festivals transform to promote mainstream Anglophone culture and its consumerist trappings. The book further provides insight into the broader relationship between culture and community in the twenty-first century. An engaging read for fans, industry professionals, and scholars alike, ...
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University Of Chicago Pr. Jan 2021] Softcover Neuware -'In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives'-- 352 pp. Deutsch [Bergisch Gladbach, Germany] [Publication Year: 2021] ...
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University Of Chicago Press Jan 2021] Softcover Neuware -'In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives'-- 352 pp. Englisch [Bergisch Gladbach, Germany] [Publication Year: 2021] ...
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University Of Chicago Press Jan 2021] Softcover Neuware - 'In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives'-- [Einbeck, Germany] [Publication Year: 2021] ...
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover [Castle Donington, DERBY, United Kingdom] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2020]
University of Chicago Press 12/18/2020 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover Über den AutorFabian Holt is associate professor in the Department of Communication and Arts at Roskilde University. He is the author of Genre in Popular Music, also published by the University of Chicago Press. [Greven, Germany] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 2020]
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Every year, millions of music fans come from far and wide to swarm parks and arenas to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe ISBN 022673854x 9780226738543 [GB]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University of Chicago Press] Softcover 2021. Paperback. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 2021]
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University Of Chicago Press Jan 2021] Softcover Neuware - 'In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives'-- [Einbeck, Germany] [Publication Year: 2021] ...
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: The University of Chicago Press] Softcover New copy - Usually dispatched within 4 working days. [Southport, United Kingdom] [Publication Year: 2021]
University of Chicago Press 12/18/2020 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University of Chicago Press] Softcover Über den AutorFabian Holt is associate professor in the Department of Communication and Arts at Roskilde University. He is the author of Genre in Popular Music, also published by the University of Chicago Press. [Greven, Germany] [Publication Year: 2021]
University of Chicago Press 12/18/2020 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 022673854X, ISBN13: 9780226738543, [publisher: University Of Chicago Press] Softcover First Edition First Edition thus. Everyone Loves Live Music â A Theory Of Performance Institutions by Fabian Holt. Published by University Of Chicago Press in 2021. Paperback ISBN:9780226738543. Collectible item in very fine condition. [Antwerpen, Belgium] [Publication Year: 2021]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.