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Everything that irritates us about others can lead us to an understanding of ourselves.
The MIT Press, Date: 5/15/1998. hardcover. Very Good. 8x0x10. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. The MIT Press ISBN 026210072X 9780262100724 [US]
Jacob, Mary Jane [Editor]; Brenson, Michael [Editor];
USD
3.90
Bellwetherbooks /Abebooks
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: The MIT Press] Hardcover Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. [McKeesport, PA, U.S.A.] [Publication Year: 1998]
MIT Press. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. MIT Press ISBN 026210072x 9780262100724 [US]
MIT Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. MIT Press ISBN 026210072x 9780262100724 [US]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Mit Pr] Hardcover The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Mit Pr] Hardcover The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. [Goring-By-Sea, WS, United Kingdom] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: MIT Press] Hardcover Used book that is in excellent condition. May show signs of wear or have minor defects. [Mishawaka, IN, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: MIT Press] Hardcover Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. [Reno, NV, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: MIT Press] Hardcover Used book that is in excellent condition. May show signs of wear or have minor defects. [Mishawaka, IN, U.S.A.] [Publication Year: 1998]
MIT Press (MA), Date: 1998. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1998. MIT Press (MA) ISBN 026210072X 9780262100724 [US]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: MIT Press (MA)] Hardcover Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.95 [Dallas, TX, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: The MIT Press] Hardcover no dj, some shelfwear/edgewear, still NICE! - may have remainder mark or previous owner's name Oversized. [Harrisburg, PA, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Cambridge: MIT Press, 1998] Hardcover First Edition 4to, illustrated boards, 173pp., ills. New and sealed. Extra postage may be asked. [Brooklyn, NY, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Mit Pr] Hardcover SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. [Portland, ME, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Mit Pr] Hardcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 2.17 [Hawthorne, CA, U.S.A.] [Publication Year: 1998]
MIT Press (MA) 1998 Hardcover Used-Good This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at 'The Castle' during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of 'conversation' as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. The book is divided into three sections. The first contains essays by project curator Mary Jane Jacob, critic and coeditor Michael Brenson, and cultural critic Homi K. Bhabha. Their essays describe fresh approaches to contemporary art and its audiences at a time of increased access through technology and decreased government funding. The second section contains essays by the six artists/collaborative teams involved in the project. Their works, aimed at public participation, included installation-performances, collaborations with Atlanta commun ...
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: MIT Press (MA) May 1998] Hardcover This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at 'The Castle' during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of 'conversation' as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. The book is divided into three sections. The first contains essays by project curator Mary Jane Jacob, critic and coeditor Michael Brenson, and cultural critic Homi K. Bhabha. Their essays describe fresh approaches to contemporary art and its audiences at a time of increased access through technology and decreased government funding. The second section contains essays by the six artists/collaborative teams involved in the project. Their works, aimed at public participa ...
Cambridge, MA: MIT Pr/Arts Festival of Atlanta , Date: 1996. Hard Cover. Fine/No Jacket. A clean, unmarked book with a tight binding. 173 pages. Pictorial cover. ""This book documents the exhibition program, 'Conversations at The Castle,' organized by Mary Jane Jacob under the auspices of the Arts Festival of Atlanta and on public view from June 28 to September 29, 1996."" 1996. MIT Pr/Arts Festival of Atlanta ISBN 026210072X 9780262100724 [US]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: MIT Pr/Arts Festival of Atlanta, Cambridge, MA] Hardcover A clean, unmarked book with a tight binding. 173 pages. Pictorial cover. "This book documents the exhibition program, 'Conversations at The Castle,' organized by Mary Jane Jacob under the auspices of the Arts Festival of Atlanta and on public view from June 28 to September 29, 1996." [Seattle, WA, U.S.A.] [Publication Year: 1996]
Cambridge, MA MIT Pr/Arts Festival of Atlanta 1996 Hard Cover Fine. No Jacket Art A clean, unmarked book with a tight binding. 173 pages. Pictorial cover. "This book documents the exhibition program, 'Conversations at The Castle, ' organized by Mary Jane Jacob under the auspices of the Arts Festival of Atlanta and on public view from June 28 to September 29, 1996."
Cambridge, MA: MIT Press, Date: 1998. Hardcover. VG- light corner bumping. Color-illustrated boards with navy and white lettering. 172 pp. Color and BW illustrations. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. -Amazon. 1998. MIT Press ISBN 026210072x US
Cambridge, MA: MIT Press, Date: 1998. Hardcover. VG- light corner bumping. Color-illustrated boards with navy and white lettering. 172 pp. Color and BW illustrations. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. -Amazon. 1998. MIT Press ISBN 026210072x 9780262100724 [US]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: MIT Press, Cambridge, MA] Hardcover Color-illustrated boards with navy and white lettering. 172 pp. Color and BW illustrations. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. -Amazon. [Marietta, PA, U.S.A.] [Publication Year: 1998]
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
Cambridge, MA MIT Press 1998 Hardcover VG-light corner bumping Color-illustrated boards with navy and white lettering. 172 pp. Color and BW illustrations. This book addresses one of the most troubling questions of contemporary art theory and practice: Who is contemporary art for? Although the divide between contemporary art and the public has long been acknowledged, this is the first time that artists, critics, and the public have come together to debate the problem and to make artmaking, criticism, and public reaction part of the same process. Like the exhibitions, discussions, and seminars held at "The Castle" during the summer 1996 Olympic Games in Atlanta, this book is based on the premise that contemporary artists and the general public have something to say to each other. By positing the space of "conversation" as one in which artworks can be experienced as creative sites open to multilayered interpretations by changing audiences, the book provides an antidote to the modernist connoisseurial silence that has long been used to define quality. -Amazon.
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Arts Festival of Atlanta and The MIT Press] Hardcover Hardcover with dustjacket; 174 pages; very good condition; light rubbing to dj; no internal marks. Includes essays by: Homi Bhabha, Regina Frank, Irwin, Susan Vogel, Steven Durland, and many others. Foreign shipping may be extra for this book. [New York, NY, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Mit Pr] Hardcover Book is in NEW condition. 2.17 [Hawthorne, CA, U.S.A.] [Publication Year: 1998]
ISBN10: 026210072X, ISBN13: 9780262100724, [publisher: Mit Pr] Hardcover New! This book is in the same immaculate condition as when it was published 2.17 [Tucson, AZ, U.S.A.] [Publication Year: 1998]
The MIT Press, Date: 1998-05-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 1998. The MIT Press ISBN 026210072X 9780262100724 [US]
Jacob, Mary Jane (Editor), and Brenson, Michael (Editor)
USD
85.37
Bonita via Alibris /Alibris
The MIT Press 1998 hardcover New
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
