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University Park, PA: Pennsylvania State University Press, Date: 1995. First Edition. Hardcover. Fine/Near Fine. Hardcover in dust jacket. First edition. Book is in fine condition, crisp and clean. Bottom edge of jacket is slightly curled and there is a faint scratch to front. Price sticker is affixed to front free endpage. An examination of the says in which Caravaggio's relationship with specific patrons influenced his paintings of the period. Black-and-white plates throughout. 4to. 322 pp. including notes, bibliography, and index. Heavy--may require additional postage if shipped outside the U.S. 1995. Pennsylvania State University Press ISBN 0271013125 9780271013121 [US]
ISBN10: 0271013125, ISBN13: 9780271013121, [publisher: Pennsylvania State University Press, University Park, PA] Hardcover First Edition Hardcover in dust jacket. First edition. Book is in fine condition, crisp and clean. Bottom edge of jacket is slightly curled and there is a faint scratch to front. Price sticker is affixed to front free endpage. An examination of the says in which Caravaggio's relationship with specific patrons influenced his paintings of the period. Black-and-white plates throughout. 4to. 322 pp. including notes, bibliography, and index. Heavy--may require additional postage if shipped outside the U.S. [South Pasadena, CA, U.S.A.] [Publication Year: 1995]
University Park, PA: Pennsylvania State University Press, Date: 1995. Hardcover. VG--/VG- (ex-library with labels and stamps on spine, block, inside front and rear covers and title page verso. Pages are otherwise clean and clear. Binding is tight.). Dark gray cloth boards with gilt spine lettering; bw illustrated dust jacket, mylar cover; xiii, 322 pp; illustrated throughout in bw. "This study focuses on three paintings done by Caravaggio for the two Mattei brothers - a cardinal and a marquis who shared the family palace and, for a time, had Caravaggio as a house guest. The Mattei family has been given short shrift in the literature about Caravaggio, which otherwise has rightly devoted great attention to his patrons. This context enriches our understanding of the paintings - the "Pastor Friso," often dubiously said to represent John the Baptist, the Supper at Emmaus in the London National Gallery, and the newly rediscovered Kiss of Judas in Dublin - then implicates wider contexts, including a comparative study of the artist's most famous works, the Matthew cycle in the Contarelli chapel, and his other patrons, specifically Cardinal Del Monte. An examination of these relationships allows valuable insight into the question of Caravaggio's "naturalist style," his peers, and his period. Gilbert devotes separate discussions to the Marquis and to Cardinal Mattei in developing his argument that each of them influenced Caravaggio in different ways. A collector of classical sculptur ...
University Park, PA: Pennsylvania State University Press, Date: 1995. Hardcover. VG--/VG- (ex-library with labels and stamps on spine, block, inside front and rear covers and title page verso. Pages are otherwise clean and clear. Binding is tight.). Dark gray cloth boards with gilt spine lettering; bw illustrated dust jacket, mylar cover; xiii, 322 pp; illustrated throughout in bw. "This study focuses on three paintings done by Caravaggio for the two Mattei brothers - a cardinal and a marquis who shared the family palace and, for a time, had Caravaggio as a house guest. The Mattei family has been given short shrift in the literature about Caravaggio, which otherwise has rightly devoted great attention to his patrons. This context enriches our understanding of the paintings - the "Pastor Friso," often dubiously said to represent John the Baptist, the Supper at Emmaus in the London National Gallery, and the newly rediscovered Kiss of Judas in Dublin - then implicates wider contexts, including a comparative study of the artist's most famous works, the Matthew cycle in the Contarelli chapel, and his other patrons, specifically Cardinal Del Monte. An examination of these relationships allows valuable insight into the question of Caravaggio's "naturalist style," his peers, and his period. Gilbert devotes separate discussions to the Marquis and to Cardinal Mattei in developing his argument that each of them influenced Caravaggio in different ways. A collector of classical sculptur ...
ISBN10: 0271013125, ISBN13: 9780271013121, [publisher: Pennsylvania State University Press, University Park, PA] Hardcover Dark gray cloth boards with gilt spine lettering; bw illustrated dust jacket, mylar cover; xiii, 322 pp; illustrated throughout in bw. "This study focuses on three paintings done by Caravaggio for the two Mattei brothers - a cardinal and a marquis who shared the family palace and, for a time, had Caravaggio as a house guest. The Mattei family has been given short shrift in the literature about Caravaggio, which otherwise has rightly devoted great attention to his patrons. This context enriches our understanding of the paintings - the "Pastor Friso," often dubiously said to represent John the Baptist, the Supper at Emmaus in the London National Gallery, and the newly rediscovered Kiss of Judas in Dublin - then implicates wider contexts, including a comparative study of the artist's most famous works, the Matthew cycle in the Contarelli chapel, and his other patrons, specifically Cardinal Del Monte. An examination of these relationships allows valuable insight into the question of Caravaggio's "naturalist style," his peers, and his period. Gilbert devotes separate discussions to the Marquis and to Cardinal Mattei in developing his argument that each of them influenced Caravaggio in different ways. A collector of classical sculpture, the Marquis is connected to the classical mythological themes that are here identif ...
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
University Park, PA Pennsylvania State University Press 1995 Hardcover VG--/VG-(ex-library with labels and stamps on spine, block, inside front and rear covers and title page verso. Pages are otherwise clean and clear. Binding is tight. ) Dark gray cloth boards with gilt spine lettering; bw illustrated dust jacket, mylar cover; xiii, 322 pp; illustrated throughout in bw. "This study focuses on three paintings done by Caravaggio for the two Mattei brothers-a cardinal and a marquis who shared the family palace and, for a time, had Caravaggio as a house guest. The Mattei family has been given short shrift in the literature about Caravaggio, which otherwise has rightly devoted great attention to his patrons. This context enriches our understanding of the paintings-the "Pastor Friso, " often dubiously said to represent John the Baptist, the Supper at Emmaus in the London National Gallery, and the newly rediscovered Kiss of Judas in Dublin-then implicates wider contexts, including a comparative study of the artist's most famous works, the Matthew cycle in the Contarelli chapel, and his other patrons, specifically Cardinal Del Monte. An examination of these relationships allows valuable insight into the question of Caravaggio's "naturalist style, " his peers, and his period. Gilbert devotes separate discussions to the Marquis and to Cardinal Mattei in developing his argument that each of them influenced Caravaggio in different ways. A collector of classical sculpture, the Marquis ...
In overall good condition, no pages missing. Shipping can take between 2-6weeks for international deliveries. Hardback copies may or may not have dust jackets, please get in contact for more information. ISBN 0271013125 9780271013121 [GB]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
