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Praeger 2007 Hardcover Good Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Bloomsbury Publishing USA. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Bloomsbury Publishing USA ISBN 0275994619 9780275994617 [US]
ISBN10: 0275994619, ISBN13: 9780275994617, [publisher: Bloomsbury Publishing USA] Hardcover Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. [Reno, NV, U.S.A.] [Publication Year: 2007]
Praeger, Date: 2007. Hardcover. Good. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2007. Praeger ISBN 0275994619 9780275994617 [US]
Westport:: Praeger,. Fine in Fine dust jacket. Date: 2007. Hardcover. 0275994619 . First printing. Fine in a fine dust jacket. . 2007. Praeger, ISBN 0275994619 US
Westport:: Praeger,. Fine in Fine dust jacket. Date: 2007. Hardcover. 0275994619 . First printing. Fine in a fine dust jacket. . 2007. Praeger, ISBN 0275994619 9780275994617 [US]
ISBN10: 0275994619, ISBN13: 9780275994617, [publisher: Praeger,, Westport:] Hardcover First Edition First printing. Fine in a fine dust jacket. [Springfield, MA, U.S.A.] [Publication Year: 2007]
Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Is Hip Hop Dead? The Past, Present, and Future of America's Most Wanted Music. ISBN 0275994619 9780275994617 [GB]
Bloomsbury USA 3pl 9/1/2007 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0275994619, ISBN13: 9780275994617, [publisher: Bloomsbury Publishing Plc, Westport] Hardcover Hardcover. Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers.Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element ...
Hardback. New. Aims to illuminate the origins of hip-hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. This book provides a common ground upon which to reconsider many of the developments in the industry. ISBN 0275994619 9780275994617 [GB]
ISBN10: 0275994619, ISBN13: 9780275994617, [publisher: Bloomsbury 3PL] Hardcover nach der Bestellung gedruckt Neuware - Printed after ordering - Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers.Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue th ...
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.