DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
There are only two mistakes one can make along the road to truth; not going all the way, and not starting.
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: Yale University Press] Hardcover Signed by Stephne J Capbell the author, In excellent condition, no writing or markings, book is crisp and clean. 100% satisfaction guarantee. Shipped with care in a bubble mailer, or better according to price or request. Feel free to inquire for photos or more details. I hand inspect every item. In nice clean shape, Hand inspected item, complete, and guaranteed to work. or your money back. [Frederick, MD, U.S.A.] [Publication Year: 2006]
USA: Yale University Press, Date: 2006. 1st Edition. Hardcover. Near Fine/Near Fine. 4to. Hardcover with complete DJ. Illustrated throughout in b/w and colour. Lightly used copy. Overall clean, unmarked, and square. 2006. Yale University Press ISBN 0300117531 9780300117530 [CA]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: Yale University Press] Hardcover Book is in fine condition with a near fine dust jacket. Black cloth board. 402pp with b/w and colour illustrations. [Birmingham, United Kingdom] [Publication Year: 2006]
Yale University Press. Fine in Near Fine dust jacket. Date: 2006. Hardcover. 0300117531 . Unused book, light jacket crease top edge; 4to 11" - 13" tall . 2006. Yale University Press ISBN 0300117531 9780300117530 [US]
New Haven, Connecticut: Yale University Press, Date: 2004. Hardcover. VG/VG- (sunning to upper board edges & spine. light wear to boards. dustjacket has coffee-like staining to lower internal & external edges; edge-wear.). black boards w/ gilt spine printing. book viii, 402 pages w/ bw & color illustrations. glossy pictorial & blue dustjacket w/ white printing. Remains a nice, bright and sharp copy. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genre—the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors."--Amazon. 2004. Yale University Press ISBN 0300117531 US
New Haven, Connecticut: Yale University Press, Date: 2004. Hardcover. VG/VG- (sunning to upper board edges & spine. light wear to boards. dustjacket has coffee-like staining to lower internal & external edges; edge-wear.). black boards w/ gilt spine printing. book viii, 402 pages w/ bw & color illustrations. glossy pictorial & blue dustjacket w/ white printing. Remains a nice, bright and sharp copy. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genre—the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors."--Amazon. 2004. Yale University Press ISBN 0300117531 9780300117530 [US]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: Yale University Press, New Haven, Connecticut] Hardcover black boards w/ gilt spine printing. book viii, 402 pages w/ bw & color illustrations. glossy pictorial & blue dustjacket w/ white printing. Remains a nice, bright and sharp copy. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genreâ"the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors."--Amazon. VG/VG- (sunning to upper board edges & spine. light wear to boards. dustjacket has coffee-like staining to lower internal & external edges; edge-wear.) [Marietta, PA, U.S.A.] [Publicat ...
New Haven: Yale University Press, Date: 2006. Hard Cover. Near Fine/Near Fine. A clean, unmarked book with a tight binding. Full black cloth boards show slightly bumped corners. Slight wear to dust jacket. 404 pages. ""The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genreâ ""the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors."" [blurb] 2006. Yale University Press ISBN 0300117531 9780300117530 [US]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: Yale University Press, New Haven] Hardcover A clean, unmarked book with a tight binding. Full black cloth boards show slightly bumped corners. Slight wear to dust jacket. 404 pages. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genreâ "the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors." [blurb] [Seattle, WA, U.S.A.] [Publication Year: 2006] ...
Mullen Books, Inc. ABAA / ILAB via Alibris /Alibris
New Haven, Connecticut Yale University Press 2004 Hardcover VG/VG-(sunning to upper board edges & spine. light wear to boards. dustjacket has coffee-like staining to lower internal & external edges; edge-wear. ) Black boards w/ gilt spine printing. book viii, 402 pages w/ bw & color illustrations. glossy pictorial & blue dustjacket w/ white printing. Remains a nice, bright and sharp copy. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genre-the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors."--Amazon.
New Haven Yale University Press 2006 Hard Cover Near Fine in Near Fine jacket Art A clean, unmarked book with a tight binding. Full black cloth boards show slightly bumped corners. Slight wear to dust jacket. 404 pages. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genreâ "the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors." [blurb]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: Yale University Press (May 1, 2006)] Hardcover Gently used book with ongoing seller support until you're fully satisfied with your purchase. [Del Rio, TN, U.S.A.] [Publication Year: 2006]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: Yale University Press] Hardcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2006]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: Yale University Press] Hardcover Buy with confidence! Book is in new, never-used condition 3.5 [Amherst, NY, U.S.A.] [Publication Year: 2006]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: London and New Haven:] Hardcover 240pp with 30 colour and 100 monochrome illustrations. Cloth 25.4x19cms. ISBN: 0300117531. Re-examines the function of the mythological image, and in particular the accommodation of Eros as a central concern, within the Renaissance culture of readers and collectors, as exemplified by the seven paintings in the Studiolo of Isabella d' Este (1474-1539) in Mantua, which contained masterpieces by Correggio, Mantegna and Perugino amongst others. Text in English. [London, United Kingdom] [Publication Year: 2006]
London and New Haven: 2006. 240pp with 30 colour and 100 monochrome illustrations. Cloth 25.4x19cms. ISBN: 0300117531. Re-examines the function of the mythological image, and in particular the accommodation of Eros as a central concern, within the Renaissance culture of readers and collectors, as exemplified by the seven paintings in the Studiolo of Isabella d' Este (1474-1539) in Mantua, which contained masterpieces by Correggio, Mantegna and Perugino amongst others. Text in English. London and New Haven: 2006. ISBN 0300117531 9780300117530 [GB]
ISBN10: 0300117531, ISBN13: 9780300117530, [publisher: London and New Haven:] Hardcover 240pp with 30 colour and 100 monochrome illustrations. Cloth 25.4x19cms. ISBN: 0300117531. Re-examines the function of the mythological image, and in particular the accommodation of Eros as a central concern, within the Renaissance culture of readers and collectors, as exemplified by the seven paintings in the Studiolo of Isabella d' Este (1474-1539) in Mantua, which contained masterpieces by Correggio, Mantegna and Perugino amongst others. Text in English. [London, United Kingdom] [Publication Year: 2006]
Yale Univ Pr 2006 Hardcover New title edition. 240 pages. 10.00x7.50x1.00 inches.
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
