Ann Arbor: University of Michigan Press, Date: 2020. Hardcover. Very good +. Hardcover. 9 1/4" X 6 1/4". viii, 296pp. Very mild shelf wear to covers, corners, and edges of paper over boards. Pages are clean and unmarked. Binding is sound. ABOUT THIS BOOK: Playing in the Shadows considers the literature engendered by postwar Japanese authors' robust cultural exchanges with African Americans and African American literature. The Allied Occupation brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This same influx fostered the creation of organizations such as the Kokujin kenkyu no kai (The Japanese Association for Negro Studies) and literary endeavors such as the Kokujin bungaku zenshu (The Complete Anthology of Black Literature). This rich milieu sparked Japanese authors'—Nakagami Kenji and Oe Kenzaburo are two notable examples—interest in reading, interpreting, critiquing, and, ultimately, incorporating the tropes and techniques of African American literature and jazz performance into their own literary works. Such incorporation leads to literary works that are "black" not by virtue of their representations of black characters, but due to their investment in the possibility of technically and intertextually black Japanese literature. Will Bridges argues that these "fictions of race" provide visions of the way that postwar Japanese authors reimagine the ascription of race ...

ISBN10: 0472074423, ISBN13: 9780472074426, [publisher: University of Michigan Press, Ann Arbor] Hardcover Hardcover. 9 1/4" X 6 1/4". viii, 296pp. Very mild shelf wear to covers, corners, and edges of paper over boards. Pages are clean and unmarked. Binding is sound. ABOUT THIS BOOK: Playing in the Shadows considers the literature engendered by postwar Japanese authors' robust cultural exchanges with African Americans and African American literature. The Allied Occupation brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This same influx fostered the creation of organizations such as the Kokujin kenkyu no kai (The Japanese Association for Negro Studies) and literary endeavors such as the Kokujin bungaku zenshu (The Complete Anthology of Black Literature). This rich milieu sparked Japanese authors'â"Nakagami Kenji and Oe Kenzaburo are two notable examplesâ"interest in reading, interpreting, critiquing, and, ultimately, incorporating the tropes and techniques of African American literature and jazz performance into their own literary works. Such incorporation leads to literary works that are "black" not by virtue of their representations of black characters, but due to their investment in the possibility of technically and intertextually black Japanese literature. Will Bridges argues that these "fictions of race" provid ...
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