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When a man opens the car door for his wife, it's either a new car or a new wife.
University of Michigan Press, Date: 10/17/2012 12:00:01. hardcover. Very Good. 1.1024 9.4488 6.3780. University of Michigan Press ISBN 047211848x 9780472118489 [US]
ISBN10: 047211848X, ISBN13: 9780472118489, [publisher: University of Michigan Press] Hardcover Book may contain some writing, highlighting, and or cover damage. Shipped fast and reliably! [Phoenix, AZ, U.S.A.] [Publication Year: 2012]
ISBN10: 047211848X, ISBN13: 9780472118489, [publisher: University of Michigan Press] Hardcover As New book in As New dust jacket, no flaws. All of our books are individually inspected and described. Never ex-library unless explicitly described as such. [Grand Rapids, MI, U.S.A.] [Publication Year: 2012]
ISBN10: 047211848X, ISBN13: 9780472118489, [publisher: University of Michigan Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2012]
ISBN10: 047211848X, ISBN13: 9780472118489, [publisher: University of Michigan Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 2012]
Hardback. New. Umi A. Vaughan reveals a rarely discussed perspective on contemporary Cuban society during the 1990s, the peak decade of timba, and beyond, as the Cuban leadership transferred from Fidel Castro to his brother. Simultaneously, the book reveals popular dance music in the context of a young and astutely educated Cuban generation of fierce and creative performers. ISBN 047211848x 9780472118489 [GB]
University of Michigan Press 10/28/2012 12: 00: 00 AM Hardcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
University of Michigan Press 10/28/2012 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 047211848X, ISBN13: 9780472118489, [publisher: The University of Michigan Press] Hardcover New copy - Usually dispatched within 4 working days. Umi A. Vaughan reveals a rarely discussed perspective on contemporary Cuban society during the 1990s, the peak decade of timba, and beyond, as the Cuban leadership transferred from Fidel Castro to his brother. Simultaneously, the book reveals popular dance music in the context of a young and astutely educated Cuban generation of fierce and creative performers. [Southport, United Kingdom] [Publication Year: 2012]
University of Michigan Press 10/28/2012 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Ann Arbor, MI University of Michigan Press 2012 Hard cover New. Sewn binding. Cloth over boards. With dust jacket. 218 p. Contains: Illustrations, black & white.
ISBN10: 047211848X, ISBN13: 9780472118489, [publisher: The University of Michigan Press, Ann Arbor] Hardcover Hardcover. Rebel Dance, Renegade Stance shows how community music-makers and dancers take in all that is around them socially and globally, and publicly and bodily unfold their memories, sentiments, and raw responses within open spaces designated or commandeered for local popular dance. Umi A. Vaughan, an African American anthropologist, musician, dancer, and photographer ""plantao"" in Cuba---planted, living like a Cuban---reveals a rarely discussed perspective on contemporary Cuban society during the 1990s, the peak decade of timba, and beyond, as the Cuban leadership transferred from Fidel Castro to his brother. Simultaneously, the book reveals popular dance music in the context of a young and astutely educated Cuban generation of fierce and creative performers. By looking at the experiences of black Cubans and exploring the notion of ""Afro Cuba,"" Rebel Dance, Renegade Stance explains timba's evolution and achieved significance in the larger context of Cuban culture. Vaughan discusses a maroon aesthetic extended beyond the colonial era to the context of contemporary society; describes the dance spaces of Cuba; and examines the performance of identity and desire through the character of ""the especulador."" This book will find an audience with musicians, anthropologists, ethnomusicologists, i ...
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