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Cambridge University Press, Date: 2003. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 2003. Cambridge University Press ISBN 0521009324 9780521009324 [US]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.8 [Dallas, TX, U.S.A.] [Publication Year: 2003]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within [Amherst, NY, U.S.A.] [Publication Year: 2003]
Cambridge University Press 3/30/2009 Paperback or Softback New in New jacket The Improvisation of Musical Dialogue: A Phenomenology of Music (Paperback or Softback)
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. [Tucson, AZ, U.S.A.] [Publication Year: 2003]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press 3/30/2009] Softcover The Improvisation of Musical Dialogue: A Phenomenology of Music 0.56 [Grand Rapids, MI, U.S.A.] [Publication Year: 2009]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within [Amherst, NY, U.S.A.] [Publication Year: 2003]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 2003]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!! [Suffolk, United Kingdom] [Publication Year: 2003]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Special order direct from the distributor [Victoria, BC, Canada] [Publication Year: 2003]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2003]
Cambridge University Press 2/27/2003 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Paperback / softback. New. This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making. It will be a provocative read. ISBN 0521009324 9780521009324 [GB]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 2003]
New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The The Improvisation of Musical Dialogue: A Phenomenology of Music. ISBN 0521009324 9780521009324 [GB]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - This book is an important contribution to the philosophy of music. Whereas most books in this field focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers the radical thesis that it is improvisation that is primary in the moment of music making. Succinct and lucid, the book brings together a wide range of musical examples from classical music, jazz, early music and other genres. It offers a rich tapestry incorporating both analytic and continental philosophy, musicology and performance-practice issues. It will be a provocative read for philosophers of art and musicologists and, because it eschews technicality, should appeal to general readers, especially those who perform. [Einbeck, Germany] [Publication Year: 2003]
ISBN10: 0521009324, ISBN13: 9780521009324, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - This book is an important contribution to the philosophy of music. Whereas most books in this field focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers the radical thesis that it is improvisation that is primary in the moment of music making. Succinct and lucid, the book brings together a wide range of musical examples from classical music, jazz, early music and other genres. It offers a rich tapestry incorporating both analytic and continental philosophy, musicology and performance-practice issues. It will be a provocative read for philosophers of art and musicologists and, because it eschews technicality, should appeal to general readers, especially those who perform. [Einbeck, Germany] [Publication Year: 2003]
Cambridge University Press, Date: 2003-03-10. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2003. Cambridge University Press ISBN 0521009324 9780521009324 [US]
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