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What is necessary to change a person is to change his awareness of himself.
ISBN10: 0810862042, ISBN13: 9780810862043, [publisher: Scarecrow Press] Hardcover Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. [Montgomery, IL, U.S.A.] [Publication Year: 2008]
ISBN10: 0810862042, ISBN13: 9780810862043, [publisher: RLPG] Hardcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2008]
ISBN10: 0810862042, ISBN13: 9780810862043, [publisher: Rowman and Littlefield Publishing Group Inc] Hardcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 2008]
Rowman & Littlefield Publishing Group Inc 10/17/2008 12: 00: 00 AM Hardcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
RLPG 10/17/2008 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Lanham, MD Scarecrow Press 2008 Hard cover New. Glued binding. Paper over boards. 222 p. Contains: Illustrations, black & white, Tables, black & white, Printed music items.
RLPG 10/17/2008 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Hardback. New. This book is a study of changui, a particular style of music and dance in Guantanamo, Cuba, and the roots of son, the style of music that contributed to the development of salsa, in Eastern Cuba. The book also highlights the connections between Afro-Haitian music and Cuban popular music through changui. ISBN 0810862042 9780810862043 [GB]
Lanham, MD Scarecrow Press 2008 Hard cover New. Glued binding. Paper over boards. 222 p. Contains: Illustrations, black & white, Tables, black & white, Printed music items.
ISBN10: 0810862042, ISBN13: 9780810862043, [publisher: Scarecrow Press] Hardcover New copy - Usually dispatched within 4 working days. [Southport, United Kingdom] [Publication Year: 2008]
Hardback. New. This book is a study of changui, a particular style of music and dance in Guantanamo, Cuba, and the roots of son, the style of music that contributed to the development of salsa, in Eastern Cuba. The book also highlights the connections between Afro-Haitian music and Cuban popular music through changui. ISBN 0810862042 9780810862043 [GB]
Lanham, MD Scarecrow Press 2008 Hard cover New. Glued binding. Paper over boards. 222 p. Contains: Illustrations, black & white, Tables, black & white, Printed music items.
Lanham, MD Scarecrow Press 2008 Hard cover New. Glued binding. Paper over boards. 222 p. Contains: Illustrations, black & white, Tables, black & white, Printed music items.
Lanham, MD Scarecrow Press 2008 Hard cover New. Glued binding. Paper over boards. 222 p. Contains: Illustrations, black & white, Tables, black & white, Printed music items.
ISBN10: 0810862042, ISBN13: 9780810862043, [publisher: Scarecrow Press] Hardcover nach der Bestellung gedruckt Neuware - Printed after ordering - Origins of Cuban Music and Dance: Changüí is the first in-depth study of changüí, a style of music and dance in Guantánamo, Cuba. Changüí is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüí and its relationship to the roots of son, Cuba's national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüí, connections with the Caribbean that have been largely overlooked in the past. After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüí, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comp ...
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