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The truth which has made us free will in the end make us glad also.
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2012]
Rutgers University Press 2012 None ed. Trade paperback Very good This paperback book shows normal wear and tear. This paperback book cover has stickers/sticker residue on it. The edges of the pages have markings, spots, or stains. Shipped to you from Goodwill of the Valleys, Roanoke VA. Thank you for your support!
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press 2012-08-28, New Brunswick] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2012]
Paperback / softback. New. Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme. Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of di ...
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press 2012-08-28, New Brunswick] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2012]
Rutgers University Press 8/30/2012 12: 00: 00 AM None ed. Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press] Softcover New copy - Usually dispatched within 4 working days. [Southport, United Kingdom] [Publication Year: 2012]
Rutgers University Press 8/30/2012 12: 00: 00 AM None ed. Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press, New Brunswick NJ] Softcover Paperback. Death of the Moguls is a detailed assessment of the last days of the rulers of film. Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didnt reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio ...
Rutgers University Press 2012 None ed. Trade paperback New Num Pages: black & white illustrations. BIC Classification: APF; TJK. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 363. 2012. None ed. paperback.....We ship daily from our Bookshop.
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press] Softcover Num Pages: black & white illustrations. BIC Classification: APF; TJK. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 363. . 2012. None ed. paperback. . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 2012]
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press, New Brunswick NJ] Softcover Paperback. Death of the Moguls is a detailed assessment of the last days of the rulers of film. Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didnt reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio ...
ISBN10: 0813553776, ISBN13: 9780813553771, [publisher: Rutgers University Press] Softcover New Copy. Customer Service Guaranteed [Denver, CO, U.S.A.] [Publication Year: 2012]
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When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
