DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
THE false can never grow into truth by growing in power.
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: University of Georgia Press] Softcover Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. [Mishawaka, IN, U.S.A.] [Publication Year: 2004]
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: University of Georgia Press] Softcover Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. [Mishawaka, IN, U.S.A.] [Publication Year: 2004]
University of Georgia Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. University of Georgia Press ISBN 0820325872 9780820325873 [US]
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: The University Of Georgia Press] Softcover Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet -Trash has been blowing across the rock 'n' roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's 'trash trope.' Trash is an obvious physical presence on the rock scene--think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance both the cause and effect when performers like the Ramones of Beck at once critique junk culture and revel in it. Hamelman guides us across five decades of rock to explore the trash trope in all of its audible, visual, and emblematic power. He offers up a personal top-forty list of songs that engage the trash trope at many levels, including 'Yakety-Yak,' the Coasters' lament about taking out the trash, and Radiohead's 'No Surprises,' in which the singer's persona likens his heart to a landfill. Drawing extensively on Lo ...
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: The University Of Georgia Press] Softcover Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet -Trash has been blowing across the rock 'n' roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's 'trash trope.' Trash is an obvious physical presence on the rock scene--think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance both the cause and effect when performers like the Ramones of Beck at once critique junk culture and revel in it. Hamelman guides us across five decades of rock to explore the trash trope in all of its audible, visual, and emblematic power. He offers up a personal top-forty list of songs that engage the trash trope at many levels, including 'Yakety-Yak,' the Coasters' lament about taking out the trash, and Radiohead's 'No Surprises,' in which the singer's persona likens his heart to a landfill. Drawing extensively on Lo ...
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: University of Georgia Press] Softcover SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. [Portland, ME, U.S.A.] [Publication Year: 2004]
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: University of Georgia Press 2004-04-30, Athens] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2004]
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: University of Georgia Press 2004-04-30, Athens] Softcover Language: ENG [London, United Kingdom] [Publication Year: 2004]
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: UNIV OF GEORGIA PR] Softcover Trash has been blowing across the rock n roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums. Steven L. Hamelman guides us across five decad. [Greven, Germany] [Publication Year: 2004]
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: UNIV OF GEORGIA PR] Softcover Trash has been blowing across the rock n roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums. Steven L. Hamelman guides us across five decad. [Greven, Germany] [Publication Year: 2004]
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: University of Georgia Press, Georgia] Softcover Paperback. Trash has been blowing across the rock 'n' roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's ""trash trope."" Trash is an obvious physical presence on the rock scene - think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance, both the cause and effect when performers like the Ramones or Beck at once critique junk culture and revel in it. Hamelman guides us across five decades of rock to explore the trash trope in all of its audible, visual, and emblematic power. He offers up a personal top-forty list of songs that engage the trash trope at many levels, including ""Yakety-Yak,"" the Coasters' lament about taking out the trash, and Radiohead's ""No Surprises,"" in which the singer's persona likens his heart to a landfill. Drawing extensively on Lou Reed's Berlin, Hamelman gives the ""Is rock dead?"" debate new ...
ISBN10: 0820325872, ISBN13: 9780820325873, [publisher: University of Georgia Press] Softcover New. In shrink wrap. Looks like an interesting title! 0.85 [North Las Vegas, NV, U.S.A.] [Publication Year: 2004]
University of Georgia Press, Date: 2004-04-23. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2004. University of Georgia Press ISBN 0820325872 9780820325873 [US]
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
