DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
Accept challenges, so that you may feel the exhilaration of victory.
Wonder Book - Member ABAA/ILAB via Alibris /Alibris
Fordham University Press 1992 Hard cover Good Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. [Frederick, MD, U.S.A.] [Publication Year: 1992]
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. [Frederick, MD, U.S.A.] [Publication Year: 1992]
Fordham University Press, Date: 1992. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1992. Fordham University Press ISBN 0823213420 9780823213429 [US]
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.6 [Dallas, TX, U.S.A.] [Publication Year: 1992]
Fordham University Press, Date: 1993. Hardcover with Dust Jacket. VERY GOOD/Very Good. 139 pp. B&W and color plates. Clean and sharp with bright dust jacket. 1993. Fordham University Press ISBN 0823213420 9780823213429 [US]
Fordham University Press. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Fordham University Press ISBN 0823213420 9780823213429 [US]
New York, Fordham University Press / Roma, Istituto della Enciclopedia italiana, c1992.. Hard Cover. xvi, 265 p. : ill. (some col.) ; 29 cm. Seventeen essays on Italian influence on American culture and American artists. Includes bibliographical references. Stock# 40,687. Vg/ dj vg. New York, Fordham University Press / Roma, Istituto della Enciclopedia italiana, c1992. ISBN 0823213420 9780823213429 [US]
Fordham University Press 1993 Hardcover with Dust Jacket VERY GOOD in Very Good jacket 139 pp. B&W and color plates. Clean and sharp with bright dust jacket.
Fordham University Press 1992 Hardcover Used-Very Good in Very Good jacket Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture-multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the ta ...
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press January 1992] Hardcover Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American weal ...
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover 139 pp. B&W and color plates. Clean and sharp with bright dust jacket. [Portland, OR, U.S.A.] [Publication Year: 1993]
Fordham University Press, Date: 1992-01-01. Hardcover. VERY GOOD/GOOD. 265 clean, unmarked, tightly-bound pages; dust jacket has light creases and small tears at upper and lower edges; cover is clean and sturdy with a bumped upper corner 1992. Fordham University Press ISBN 0823213420 9780823213429 [US]
Fordham University Press 1992-01-01 Hardcover VERY GOOD in GOOD jacket 265 clean, unmarked, tightly-bound pages; dust jacket has light creases and small tears at upper and lower edges; cover is clean and sturdy with a bumped upper corner.
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover 265 clean, unmarked, tightly-bound pages; dust jacket has light creases and small tears at upper and lower edges; cover is clean and sturdy with a bumped upper corner [Hyattsville, MD, U.S.A.] [Publication Year: 1992]
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized. [Harrisburg, PA, U.S.A.] [Publication Year: 1992]
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover Used - Very Good [Toronto, ON, Canada] [Publication Year: 1992]
New York: Fordham University Press, Date: 1992. Hardcover. VG- (Few marks from previous gallery owner; page edges are tanning lightly; text and plates are good.). Blue cloth, green & color illus. dust jacket, 265 pp. 16 color, 149 bw plates. Continues from Jaffe's previous book, "The Italian Presence in American Art, 1760-1860." "While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that 'the Italian presence' was almost never a simple matter of direct influence; rather it was an experience for American artists that afford them, above all, insight and inspiration. Italy was America's muse." (dj). 1992. Fordham University Press ISBN 0823213420 US
New York: Fordham University Press, Date: 1992. Hardcover. VG- (Few marks from previous gallery owner; page edges are tanning lightly; text and plates are good.). Blue cloth, green & color illus. dust jacket, 265 pp. 16 color, 149 bw plates. Continues from Jaffe's previous book, "The Italian Presence in American Art, 1760-1860." "While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that 'the Italian presence' was almost never a simple matter of direct influence; rather it was an experience for American artists that afford them, above all, insight and inspiration. Italy was America's muse." (dj). 1992. Fordham University Press ISBN 0823213420 9780823213429 [US]
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press, New York] Hardcover Blue cloth, green & color illus. dust jacket, 265 pp. 16 color, 149 bw plates. Continues from Jaffe's previous book, "The Italian Presence in American Art, 1760-1860." "While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that 'the Italian presence' was almost never a simple matter of direct influence; rather it was an experience for American artists that afford them, above all, insight and inspiration. Italy was America's muse." (dj). VG- (Few marks from previous gallery owner; page edges are tanning lightly; text and plates are good.) [Marietta, PA, U.S.A.] [Publication Year: 1992]
Fordham University Press, Date: 1992-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 1992. Fordham University Press ISBN 0823213420 9780823213429 [US]
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover The essays in the second volume on this subject examine the struggle of American artists at a time when the nation fought for political unity. The book explores how the political and economic expansion of America is often infused with efforts to reconcile goals with a European past. Num Pages: 265 pages, illustrations. BIC Classification: 1DST; 1KBB; 3JH; 3JJ; ACV; ACX. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 285 x 209 x 27. Weight in Grams: 1404. . 1992. Hardback. . . . . [Galway, GY, Ireland] [Publication Year: 1992]
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press, New York] Hardcover Hardcover. This book is the second title based on a symposium organized by Irma Jaffe for Fordham University and Istituto della Encilopedia. The first volume covered Italian influences in American art from 1760-1860; this volume is a compilation of the papers given at the second symposium, covering the years 1860-1920. The essays gathered in this second volume examine the struggle of American artists of the period between the Civil War and World War I, a time when the nation fought for political unity and saw the end of the frontier and manifest destiny. This book explores how our political, economic and demographic expansion as a nation is often infused with efforts to reconcile our goals with our European past. The essays refer to this era as the American Renaissance and discuss how many American artists shifted their attention from Rome to Venice. During this important period of our cultural history, wealthy patrons sought to cultivate an American school of culture that would grow and flourish the soil of the New World. The essays in the second volume on this subject examine the struggle of American artists at a time when the nation fought for political unity. The book explores how the political and economic expansion of America is often infused with efforts to reconcile goals with a European past. Shipping may be from our UK warehouse or from our Australian or US w ...
Fordham University Press 1992 Hard cover New The essays in the second volume on this subject examine the struggle of American artists at a time when the nation fought for political unity. The book explores how the political and economic expansion of America is often infused with efforts to reconcile goals with a European past. Num Pages: 265 pages, illustrations. BIC Classification: 1DST; 1KBB; 3JH; 3JJ; ACV; ACX. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 285 x 209 x 27. Weight in Grams: 1404. 1992. Hardback.....We ship daily from our Bookshop.
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press, New York] Hardcover Hardcover. This book is the second title based on a symposium organized by Irma Jaffe for Fordham University and Istituto della Encilopedia. The first volume covered Italian influences in American art from 1760-1860; this volume is a compilation of the papers given at the second symposium, covering the years 1860-1920. The essays gathered in this second volume examine the struggle of American artists of the period between the Civil War and World War I, a time when the nation fought for political unity and saw the end of the frontier and manifest destiny. This book explores how our political, economic and demographic expansion as a nation is often infused with efforts to reconcile our goals with our European past. The essays refer to this era as the American Renaissance and discuss how many American artists shifted their attention from Rome to Venice. During this important period of our cultural history, wealthy patrons sought to cultivate an American school of culture that would grow and flourish the soil of the New World. The essays in the second volume on this subject examine the struggle of American artists at a time when the nation fought for political unity. The book explores how the political and economic expansion of America is often infused with efforts to reconcile goals with a European past. Shipping may be from our Sydney, NSW warehouse or from our UK or US ...
ISBN10: 0823213420, ISBN13: 9780823213429, [publisher: Fordham University Press] Hardcover The essays in the second volume on this subject examine the struggle of American artists at a time when the nation fought for political unity. The book explores how the political and economic expansion of America is often infused with efforts to reconcile goals with a European past. Num Pages: 265 pages, illustrations. BIC Classification: 1DST; 1KBB; 3JH; 3JJ; ACV; ACX. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 285 x 209 x 27. Weight in Grams: 1404. . 1992. Hardback. . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 1992]
Fordham University Press. New. Date: 1992. Hardcover. 0823213420 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, like new, pristine, never opened -- Text in English. 265 pages -- with a bonus offer-- . 1992. Fordham University Press ISBN 0823213420 9780823213429 [US]
Fordham University Press. New. Date: 1992. Hardcover. 0823213420 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, like new, pristine, never opened -- 265 pages. Description: "Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may ...
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
