New York Bloomsbury Academic 2016 Hard cover New. Sewn binding. Cloth over boards. With dust jacket. 336 p. Contains: Unspecified.

New York Bloomsbury Publishing PLC 2016 Hard cover New. Sewn binding. Cloth over boards. With dust jacket. 336 p. Contains: Unspecified.

Bloomsbury Publishing (UK) 1/5/2016 12: 05: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

ISBN10: 1501314513, ISBN13: 9781501314513, [publisher: BLOOMSBURY 3PL] Hardcover
[Greven, Germany] [Publication Year: 2016]
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ISBN10: 1501314513, ISBN13: 9781501314513, [publisher: Bloomsbury Academic] Hardcover
[Bayonne, NJ, U.S.A.] [Publication Year: 2016]
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ISBN10: 1501314513, ISBN13: 9781501314513, [publisher: Bloomsbury Publishing Plc, New York] Hardcover Hardcover. Shortlisted for the Penderyn Music Book Prize 2017.In this first installment of acclaimed music writer David Toops interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 introduces the philosophy and practice of improvisation (both musical and otherwise) within the historical context of the post-World War II era. Neither strictly chronological, or exclusively a history, Into the Maelstrom investigates a wide range of improvisational tendencies: from surrealist automatism to stream-of-consciousness in literature and vocalization; from the free music of Percy Grainger to the free improvising groups emerging out of the early 1960s (Group Ongaku, Nuova Consonanza, MEV, AMM, the Spontaneous Music Ensemble); and from free jazz to the strands of free improvisation that sought to distance itself from jazz. In exploring the diverse ways in which spontaneity became a core value in the early twentieth century as well as free improvisations connection to both 1960s rock (The Beatles, Cream, Pink Floyd) and the era of post-Cagean indeterminacy in composition, Toop provides a definitive and all-encompassing exploration of free improvisation up to 1970, ending with the late 1960s international developments of free music from Roscoe Mitchell in Chicago, Peter Broetzmann in Berlin and Han ...