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My dear brothers, take note of this: Everyone should be quick to listen, slow to speak and slow to become angry, for man's anger does not bring about the righteous life that God desires.
Smithsonian Institution Scholarly Press 2002 Revised ed. Softcover Good Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Smithsonian Institution Scholarly Press 2002 Revised ed. Softcover Good Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Smithsonian Books, Date: 2002. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2002. Smithsonian Books ISBN 1588340317 9781588340313 [US]
ISBN10: 1588340317, ISBN13: 9781588340313, [publisher: Smithsonian Institution Press] Softcover Softcover. Glossy black illustrated covers with red and white lettering on the spine. No date on title page. Copyright page dated 1998. 233 pages. Binding is square and tight. The corners on the front cover are lightly bumped, but the volume generally appears unread. Pages are clean and unmarked. A few illustrations. [Fredericksburg, VA, U.S.A.] [Publication Year: 1998]
Washington, D.C., U.S.A.: Smithsonian Books, Date: 2002. Trade Paperback. Near Fine. This is a study of how comic strips contributed to the expansion of a mass consumer culture that was increasingly driven by visual images; it shows that the most enduring role of comic strips, which emerged as Americans were beginning to define themselves less by what they made than what they bought, has been not only to mirror a burgeoning consumer culture but to actively promote it (black pictorial cover with red & white lettering, covers very slightly curled; otherwise a bright, clean, tight copy in nearly perfect conditon) 2002. Smithsonian Books ISBN 1588340317 9781588340313 [US]
Washington, D.C., U.S. A Smithsonian Books 2002 Revised ed. Trade Paperback Near Fine This is a study of how comic strips contributed to the expansion of a mass consumer culture that was increasingly driven by visual images; it shows that the most enduring role of comic strips, which emerged as Americans were beginning to define themselves less by what they made than what they bought, has been not only to mirror a burgeoning consumer culture but to actively promote it (black pictorial cover with red & white lettering, covers very slightly curled; otherwise a bright, clean, tight copy in nearly perfect conditon)
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