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ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: Boydell Press] Hardcover Essays in honor of Margaret Bent. A title in the "Studies in Medieval and Renaissance Music" series. Text block is tight with no loose or dog-eared pages and with no markings or underlinings. Bubble wrapped, boxed, and shipped with USPS Tracking (USA only). Proceeds from the sale of this book benefit WDAV, a 24 hour classical music public radio station in Davidson, NC; streaming online. [Rock Hill, SC, U.S.A.] [Publication Year: 2005]
Woodbridge, Suffolk: The Boydell Press, Date: 2005 Studies in Medieval and Renaissance Music. xxxii, 250pp. 2005. The Boydell Press ISBN 184383166X 9781843831662 [GB]
ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: Boydell Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 2005]
ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: Boydell Press] Hardcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 2005]
Boydell Press 12/8/2005 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Boydell Press 12/8/2005 12: 00: 00 AM Hardcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Boydell Press 12/8/2005 12: 00: 00 AM Hardcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Hardback. New. Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors. ISBN 184383166x 9781843831662 [GB]
Clark, Suzannah (Editor), and Leach, Elizabeth Eva (Contributions by), and Clark, Alice V (Contributions by)
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115.75
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Woodbridge Boydell Press 2005 Hard cover New. Sewn binding. Cloth over boards. 282 p. Contains: Unspecified. Studies in Medieval and Renaissance Music, 4.
Clark, Suzannah (Editor), and Leach, Elizabeth Eva (Contributions by), and Clark, Alice V (Contributions by)
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119.36
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Woodbridge Boydell Press 2005 Hard cover New. Sewn binding. Cloth over boards. 282 p. Contains: Unspecified. Studies in Medieval and Renaissance Music, 4.
ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: Boydell & Brewer Ltd] Hardcover New copy - Usually dispatched within 4 working days. [Southport, United Kingdom] [Publication Year: 2005]
Clark, Suzannah (Editor), and Leach, Elizabeth Eva (Contributions by), and Clark, Alice V (Contributions by)
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Woodbridge Boydell Press 2005 Hard cover New. Sewn binding. Cloth over boards. 282 p. Contains: Unspecified. Studies in Medieval and Renaissance Music, 4.
Clark, Suzannah (Editor), and Leach, Elizabeth Eva (Contributions by), and Clark, Alice V (Contributions by)
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129.93
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Woodbridge Boydell Press 2005 Hard cover New. Sewn binding. Cloth over boards. 282 p. Contains: Unspecified. Studies in Medieval and Renaissance Music, 4.
ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: BOYDELL & BREWER INC] Hardcover Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.Über den AutorSu. [Greven, Germany] [Publication Year: 2005]
ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: BOYDELL & BREWER INC] Hardcover Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.Über den AutorSu. [Greven, Germany] [Publication Year: 2005]
ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: Boydell & Brewer Ltd, Woodbridge] Hardcover Hardcover. At its most fundamental level medieval and Renaissance musical culture relied on shared models used by singers and composers as they learned their craft, and the chapters of this book probe the varied functions of citation and allusion it displays. Several contributors investigate general models, which often drew - perhaps subconsciously - on earlier musical works, as well as on unwritten norms inculcated in the process of composers' own training as singers. In written theoretical musical pedagogy, conversely, citation of authority is overt, deliberate and intentional. The adaptation of accepted wisdom in theoretical treatises was the means by which newer authors stamped their own authority, something that involved not just textual citation but the incorporation of, and commentary upon, musical examples and diagrams. Further kinds of citation occur in specific musical texts, either within the words set to music or in the musical material itself. In these cases, what are the limits on intertextual meaning? Where should readings (or modern interpretation) end? Are we at risk of 'over-reading'?The diverse functions of citation and allusion for the creator, reader, scribe, performer and listener are here given due consideration. Contributors: SUSAN RANKIN, GILLES RICO, CHRISTIAN THOMAS LEITMEIR, BARBARA HAGGH, LEOFRANC HOLFORD-STREVENS, ANDREW W ...
ISBN10: 184383166X, ISBN13: 9781843831662, [publisher: Boydell & Brewer Ltd, Woodbridge] Hardcover Hardcover. At its most fundamental level medieval and Renaissance musical culture relied on shared models used by singers and composers as they learned their craft, and the chapters of this book probe the varied functions of citation and allusion it displays. Several contributors investigate general models, which often drew - perhaps subconsciously - on earlier musical works, as well as on unwritten norms inculcated in the process of composers' own training as singers. In written theoretical musical pedagogy, conversely, citation of authority is overt, deliberate and intentional. The adaptation of accepted wisdom in theoretical treatises was the means by which newer authors stamped their own authority, something that involved not just textual citation but the incorporation of, and commentary upon, musical examples and diagrams. Further kinds of citation occur in specific musical texts, either within the words set to music or in the musical material itself. In these cases, what are the limits on intertextual meaning? Where should readings (or modern interpretation) end? Are we at risk of 'over-reading'?The diverse functions of citation and allusion for the creator, reader, scribe, performer and listener are here given due consideration. Contributors: SUSAN RANKIN, GILLES RICO, CHRISTIAN THOMAS LEITMEIR, BARBARA HAGGH, LEOFRANC HOLFORD-STREVENS, ANDREW W ...
DISCLOSURE:
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission at no extra cost to you. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network, Amazon and Alibris.
