Columbia University Press. Very good book and jacket - but has ex-library markings. Illustrated with historic photos. . Very Good. Hardcover. 1st Edition. Date: 2002. 2002. Columbia University Press ISBN 0231116462 9780231116466 [US]

Columbia University Press, Date: 2002. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2002. Columbia University Press ISBN 0231116462 9780231116466 [US]

Columbia University Press, Date: 2002. Hardcover. Very Good. Disclaimer:May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2002. Columbia University Press ISBN 0231116462 9780231116466 [US]

Used - isbn: 0231116462 - isbn13: 9780231116466 Columbia University Press

Columbia University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Columbia University Press ISBN 0231116462 9780231116466 [US]

Columbia University Press, Date: 2002-02-15. Hardcover. Good. 2002. Columbia University Press ISBN 0231116462 9780231116466 [US]

New York: Columbia University Press, Date: 2002. First Printing . Hardcover. Fine/Fine. Clean unmarked copy, like new. Illustrated with photographs, 525 pages. 2002. Columbia University Press ISBN 0231116462 9780231116466 [US]

Columbia University Press, Date: 2002. Book. Very Good. Hardcover. 1st Edition. Clean tight copy. With two large illustration sections. Faint age speckles to top ends. Jacket glossy and nearly new. First Edition. . 2002. Columbia University Press ISBN 0231116462 9780231116466 [US]

Columbia University Press. Collectible - Very Good. Signed Copy First edition copy. Collectible - Very Good. Very Good dust jacket. Signed by author on title page. Columbia University Press ISBN 0231116462 9780231116466 [US]

New York: Columbia University Press, Date: 2002. First Printing [Stated]. Hardcover. Very good/Very good. xvi, [2], 525, [1] pages. Illustrations. Notes. Index. DJ has slight wear, soiling, and some sticker residue on back. DJ front flap creased. This is one of the Film and Culture series. Louis Pizzitola is a visual artist and an amateur filmmaker. It was William Randolph Hearst who understood how to use cinema to exploit the public's desire for entertainment and to create film propaganda. Hearst saw his future and the future of Hollywood as one and the same. He pioneered and capitalized on the synergistic relationship between journalism and advertising and motion pictures. He sent movie cameramen to the inauguration of William McKinley and the front lines of the Spanish-American War. He played a prominent role in organizing film propaganda for World War I. By the 1910s, Hearst was producing his own pictures-he ran one of the first animation studios and made many popular movie serials, including The Perils of Pauline (creating both the scenario and the catchphrase title) and Patria. As a feature film producer, Hearst was responsible for some of the most talked-about movies of the 1920s and 1930s. Hearst had few equals-he was a much-feared power broker from the Silent Era to the Blacklisting Era. Hearst Over Hollywood draws on hundreds of previously unpublished letters and memos, FBI Freedom of Information files, and personal interviews to document the scope ...