Paperback. Very Good. ISBN 0198752326 9780198752325 [GB]

Oxford University Press. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Oxford University Press ISBN 0198752326 9780198752325 [GB]

Oxford University Press, USA, Date: 2000. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 2000. Oxford University Press, USA ISBN 0198752326 9780198752325 [US]

Oxford University Press UK, Date: 2000-01-06. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2000. Oxford University Press UK ISBN 0198752326 9780198752325 [US]

Paperback / softback. New. This introductory text has a two-part structure, Part I presents key concepts of narrative theory - for example, author, narrator, time, perspective, event, characterization. Part II analyzes five prose texts, and film versions of four of them, in terms of narrative theory. ISBN 0198752326 9780198752325 [GB]

ISBN10: 0198752326, ISBN13: 9780198752325, [publisher: Oxford University Press, Oxford] Softcover Paperback. Narrative in Fiction and Film gives a clear presentation of key concepts of narrative theory. A growing field in the humanities, narrative theory (or 'narratology') studies such narratives, thus discussing central questions concerning human communication. This introductory book has a two-part structure: Part I presents key concepts of narrative theory - for example, author, narrator, time, perspective, event, characterization. Thediscussion is oriented towards narrative fiction and centred on literary texts, yet since film can also have an important narrative dimension, the film aspect is brought into each chapter.Part II analyses five prose texts: the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse. Part II also discusses film versions of four of these texts: Orson Welles's The Trial, John Huston's The Dead, Francis Ford Coppola's Apocalypse Now, and Colin Gregg's To the Lighthouse. The book bringstogether and lucidly presents concepts and theories in narrative theory, and illustrates and tests theses theories. It will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course. "Narrative in Fiction and Film" ...