Yale University Press, Date: 1998. Hardcover. New. 1998. Yale University Press ISBN 0300072465 9780300072464 [IN]

Yale University Press, Date: 1998-08-11. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 1998. Yale University Press ISBN 0300072465 9780300072464 [US]

Yale University Press, Date: 1998-08-11. First Edition. hardcover. New. 10x1x12. Folio Sized. 1st Edition. A FINE Hardcover with a FINE dustjacket. AS NEW. All dustjackets wrapped in Archival protection, and delivery confirmation with all our orders! 1998. Yale University Press ISBN 0300072465 9780300072464 [US]

New Haven & London: Yale University Press, [Date: 1998]., 1998. 4to. pp. vii, [1], 240. 166 illus. (many colour, some full-page). biblio. index. bds. dw. First Edition.. F. Hardcover. 1998. New Haven & London: Yale University Press, [1998]. ISBN 0300072465 9780300072464 [CA]

New Haven & London: Yale University Press, Date: 1998. First Edition . Hardcover. Fine/Fine. 4to - over 9¾" - 12" tall. original cloth hardcover, illustrated throughout, 240 pages, fine in fine unclipped dustwrapper. 1998. Yale University Press ISBN 0300072465 9780300072464 [GB]

Yale University Press. Used - Very Good. 1998. Hardcover. Cloth, dj. Slight shelf-wear. Very Good. (Subject: Art). Yale University Press ISBN 0300072465 9780300072464 [US]

New Haven, Connecticut: Yale University Press, Date: 1998. Hardcover. VG- in Good dj. (Sticker to front of dj, a few small tears at extremities; Small area of soiling to page edges). Green cloth over boards; Color illus. dj.; 240 pp.; 166 color and bw figures. Annotation. Leonardo's stature as a giant who changed the course of western art is uncontested. Yet until now there has been no full-length study of the young Leonardo and his earliest works. This beautiful book presents the most complete account ever written of Leonardo's mysterious beginnings as an artist. David Alan Brown begins by examining Leonardo's first years in the Florentine workshop of the leading sculptor of the day, Andrea del Verrocchio, who took up painting about the time Leonardo came to study with him in the later 1460s. Verrocchio exploited Leonardo's special ability to represent nature, and Brown presents several of Verrocchio's works in which Leonardo probably collaborated, including one that would be the younger artist's first painting. Brown shows that Leonardo rapidly outgrew his limited role as Verrocchio's nature specialist and went on to paint such famous works as the Uffizi Annunciation, the Washington Ginevra de' Benci, the Munich Madonna and Child, and part of the Uffizi Baptism. These and other paintings and drawings that Leonardo completed in the early 147Os incorporate a new view of nature that he would later develop in his countless notebook pages. Using his fingers as well as the ...

Yale University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Yale University Press ISBN 0300072465 9780300072464 [US]

Yale University Press, Date: 1998-08-11. Hardcover. Good. 1998. Yale University Press ISBN 0300072465 9780300072464 [US]

Yale University Press, Date: 1998-08-11. Hardcover. Good. 1.1800 11.5000 9.9200. 1998. Yale University Press ISBN 0300072465 9780300072464 [US]