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Yale University Press, Date: 2002. Hard cover. Very Good/Very Good. In Very Good+ condition with Very Good+ Dustjacket. Pierre Puvis de Chavannes (1824-1898) was a towering figure in late-19th-century France. Arguably the country's greatest public painter, he created murals that decorated museums in Amiens, Rouen and Lyons as well as major buildings in Paris - most notably the Pantheon, the Sorbonne and the city hall. Critics from the political right, left and centre, the avant-garde, the Academy, and the state all agreed on the importance of Puvis's murals. Avant-garde artists greatly admired and drew from his work. There was much controversy, however, over the meaning of these murals. 2002. Yale University Press ISBN 0300083823 9780300083828 [US]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover First Edition (Art) DREAM STATES / Puvis de Chavannes, Modernism, and the Fantasy of France. By Jennifer L. Shaw. First edition, Yale Univ. Press, 2002. Small 4to size book, green clth binding w/DJ, binding back cover with some small, very lite gray blemishes caused by some kind of offset from the DJ. 245-pages of text fine and illustrated. [Downers Grove, IL, U.S.A.] [Publication Year: 2002]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press, New Haven] Hardcover Hardcover. x, 237pp+ index. Very good hardback in a jacket that is sunned on the spine and has a closed tear to the top of the rear panel. [Decatur, GA, U.S.A.] [Publication Year: 2002]
New Haven: Yale University Press, Date: 2002. Hardcover. Very Good. Hardcover. x, 237pp+ index. Very good hardback in a jacket that is sunned on the spine and has a closed tear to the top of the rear panel. 2002. Yale University Press ISBN 0300083823 US
New Haven Yale University Press 2002 Hardcover Very Good Hardcover. x, 237pp+ index. Very good hardback in a jacket that is sunned on the spine and has a closed tear to the top of the rear panel.
New Haven: Yale University Press, Date: 2002. Hardcover. Very Good. Hardcover. x, 237pp+ index. Very good hardback in a jacket that is sunned on the spine and has a closed tear to the top of the rear panel. 2002. Yale University Press ISBN 0300083823 9780300083828 [US]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press, New Haven] Hardcover Hardcover. x, 237pp+ index. Very good hardback in a jacket that is sunned on the spine and has a closed tear to the top of the rear panel. [Decatur, GA, U.S.A.] [Publication Year: 2002]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover First Edition Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. [Mishawaka, IN, U.S.A.] [Publication Year: 2002]
Yale University Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Yale University Press ISBN 0300083823 9780300083828 [US]
Yale University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Yale University Press ISBN 0300083823 9780300083828 [US]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover First Edition Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. [Mishawaka, IN, U.S.A.] [Publication Year: 2002]
New Haven, CT: Yale University Press, Date: 2002. x, 245 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. "Pierre Puvis de Chavannes (1824-1898) was a towering figure in late nineteenth-century France. The country's greatest public painter, he created murals that decorated museums in Amiens, Rouen, and Lyons as well as major buildings in Paris--most notably the Pantheon, the Sorbonne, and the city hall. Critics from the political right, left, and center, the avant-garde, the Academy, and the state all agreed on the importance of Puvis's murals. Avant-garde artists greatly admired and drew from his work. There was much controversy, however, over the meaning of these murals. This handsomely illustrated book is the first full-length examination of Puvis's murals and their critical reception during the artist's lifetime. Jennifer L. Shaw explains that Puvis's paintings were imagined to embody a vision of France. Although his regional images, allegories of the French heritage, and evocations of the nation as an embracing motherland were all part of a grand tradition of public art, Puvis's painting style was more closely aligned with the avant-garde. Rather than providing a specific narrative or allegory of France, Puvis's murals provoked viewers to experience their own fantasies of Frenchness; rather than using the close brushwork favored by most of his contemporaries, Puvis ...
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover First Edition Dust jacket shows signs of age and second hand status. Wear to top of spine, one small 4mm tear, slight surface impressions down spine, some very minor wear to corners, mirrored a little more so on the corners of the cloth boards underneath. Internally, all pages reasonably clean and bright, no markings or annotations detected. Seller image provided. For further helpful synopsis and reviews try clicking on 'bookseller image'. Selling books since 1999, all proceeds help fund LOROS Charity Hospice. [Leicester, United Kingdom] [Publication Year: 2002]
New Haven and London: Yale University Press, Date: 2002. Book. Fine. Hardcover. 4to - over 9¾ - 12" tall. Grey-green hardcover with title in gilt on spine. Condition: Fine, no inscriptions. Dustjacket condition: Very good, with just the faintest hint of shelfwear. 24 colour and 31 b/w illustrations. 245pp. Pierre Puvis de Chavannes was an important figure in the art world of late nineteenth-century France. The creator of public murals that decorated museums in Amiens, Rouen and Lyons as well as major buildings in Paris. This book contains the first full-length examination of Puvis's murals and their reception by critics during his lifetime.. 2002. Yale University Press ISBN 0300083823 9780300083828 [GB]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press, New Haven and London] Hardcover Grey-green hardcover with title in gilt on spine. Condition: Fine, no inscriptions. Dustjacket condition: Very good, with just the faintest hint of shelfwear. 24 colour and 31 b/w illustrations. 245pp. Pierre Puvis de Chavannes was an important figure in the art world of late nineteenth-century France. The creator of public murals that decorated museums in Amiens, Rouen and Lyons as well as major buildings in Paris. This book contains the first full-length examination of Puvis's murals and their reception by critics during his lifetime. [Sturminster Newton, United Kingdom] [Publication Year: 2002]
New Haven: Yale University Press, March 1, Date: 2002. 1st. Hardcover. Very Good/Very Good. Hardcover, 245 pages, illustrated throughout. Clean, bright pages and tight binding. Pierre Puvis de Chavannes (1824-1898) was a towering figure in late nineteenth-century France. The country's greatest public painter, he created murals that decorated museums in Amiens, Rouen, and Lyons as well as major buildings in Paris-most notably the Pantheon, the Sorbonne, and the city hall. Critics from the political right, left, and center, the avant-garde, the Academy, and the state all agreed on the importance of Puvis's murals. Avant-garde artists greatly admired and drew from his work. There was much controversy, however, over the meaning of these murals. This handsomely illustrated book is the first full-length examination of Puvis's murals and their critical reception during the artist's lifetime. Jennifer L. Shaw explains that Puvis's paintings were imagined to embody a vision of France. Although his regional images, allegories of the French heritage, and evocations of the nation as an embracing motherland were all part of a grand tradition of public art, Puvis's painting style was more closely aligned with the avant-garde. Rather than providing a specific narrative or allegory of France, Puvis's murals provoked viewers to experience their own fantasies of Frenchness; rather than using the close brushwork favored by most of his contemporaries, Puvis used large flat areas of color to ...
Yale U P, Date: 2002. ~No ownership marks. ~Robust packaging. All UK orders with tracking, overseas tracking available on request.. 1st edition. Hardback. Fine/Fine. x, 245pp. 19.5 x 26cm. With dustwrapper. Binding sound, text unmarked. 2002. Yale U P ISBN 0300083823 9780300083828 [GB]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale U P] Hardcover First Edition ~No ownership marks. ~Robust packaging. All UK orders with tracking, overseas tracking available on request. Size: x, 245pp. 19.5 x 26cm. With dustwrapper [Oxford, United Kingdom] [Publication Year: 2002]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover New. Fast Shipping and good customer service [Fayetteville, TX, U.S.A.] [Publication Year: 2002]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover First Edition 2002 Yale University 1st Edition 1st Impression. Near fine clean tight copy with wonderful cover design & illustration [Bournemouth, United Kingdom] [Publication Year: 2002]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. [Hawthorne, CA, U.S.A.] [Publication Year: 2002]
Yale University Press, Date: 2002-03-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 2002. Yale University Press ISBN 0300083823 9780300083828 [US]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover Book is in NEW condition. [Hawthorne, CA, U.S.A.] [Publication Year: 2002]
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Yale University Press 2002 Hard cover Very Good in Very Good jacket In Very Good+ condition with Very Good+ Dustjacket. Pierre Puvis de Chavannes (1824-1898) was a towering figure in late-19th-century France. Arguably the country's greatest public painter, he created murals that decorated museums in Amiens, Rouen and Lyons as well as major buildings in Paris-most notably the Pantheon, the Sorbonne and the city hall. Critics from the political right, left and centre, the avant-garde, the Academy, and the state all agreed on the importance of Puvis's murals. Avant-garde artists greatly admired and drew from his work. There was much controversy, however, over the meaning of these murals.
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press] Hardcover In Very Good+ condition with Very Good+ Dustjacket. Pierre Puvis de Chavannes (1824-1898) was a towering figure in late-19th-century France. Arguably the country's greatest public painter, he created murals that decorated museums in Amiens, Rouen and Lyons as well as major buildings in Paris - most notably the Pantheon, the Sorbonne and the city hall. Critics from the political right, left and centre, the avant-garde, the Academy, and the state all agreed on the importance of Puvis's murals. Avant-garde artists greatly admired and drew from his work. There was much controversy, however, over the meaning of these murals. [New Castle, CO, U.S.A.] [Publication Year: 2002]
ISBN10: 0300083823, ISBN13: 9780300083828, [publisher: Yale University Press, New Haven, CT] Hardcover First Edition x, 245 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. "Pierre Puvis de Chavannes (1824-1898) was a towering figure in late nineteenth-century France. The country's greatest public painter, he created murals that decorated museums in Amiens, Rouen, and Lyons as well as major buildings in Paris--most notably the Pantheon, the Sorbonne, and the city hall. Critics from the political right, left, and center, the avant-garde, the Academy, and the state all agreed on the importance of Puvis's murals. Avant-garde artists greatly admired and drew from his work. There was much controversy, however, over the meaning of these murals. This handsomely illustrated book is the first full-length examination of Puvis's murals and their critical reception during the artist's lifetime. Jennifer L. Shaw explains that Puvis's paintings were imagined to embody a vision of France. Although his regional images, allegories of the French heritage, and evocations of the nation as an embracing motherland were all part of a grand tradition of public art, Puvis's painting style was more closely aligned with the avant-garde. Rather than providing a specific narrative or allegory of France, Puvis's murals provoked viewers to experience their own fantasies of Frenchness; ...
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