The New Press, Date: 1995. Trade Paperback. New. New! 1995. The New Press ISBN 1565842634 9781565842632 [US]

New Pr, Date: 1995. Paperback. New. 224 pages. 8.25x5.50x0.75 inches. 1995. New Pr ISBN 1565842634 9781565842632 [GB]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
[Montgomery, IL, U.S.A.] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover
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ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover New Copy. Customer Service Guaranteed
[Denver, CO, U.S.A.] [Publication Year: 1995]

New Press 1995 Trade paperback New 1995. Illustrated. Paperback......We ship daily from our Bookshop.

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover New copy - Usually dispatched within 4 working days.
[Southport, United Kingdom] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover 1995. Illustrated. Paperback. . . . . .
[Galway, GY, Ireland] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear.
[Hawthorne, CA, U.S.A.] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover
[Denver, CO, U.S.A.] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within
[Amherst, NY, U.S.A.] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover New! This book is in the same immaculate condition as when it was published
[Tucson, AZ, U.S.A.] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: The New Press] Softcover
[Spring Branch, TX, U.S.A.] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: New Press June 1995] Softcover 100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD.
[Suffolk, United Kingdom] [Publication Year: 1995]
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The New Press, Date: 1995-07-01. paperback. Used:Good. 1995. The New Press ISBN 1565842634 9781565842632 [US]

Paperback / softback. New. ISBN 1565842634 9781565842632 [GB]

New Press 7/1/1995 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

New Press 7/1/1995 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: New Press] Softcover New Book. Shipped from UK. Established seller since 2000.
[Wood Dale, IL, U.S.A.] [Publication Year: 1995]

ISBN10: 1565842634, ISBN13: 9781565842632, [publisher: New Press Jul 1995] Softcover Neuware - Political theorist and critic hooks continues the work of Black Looks (not reviewed), exploring the politics of representation, aesthetics, and the place of the African-American woman artist. This collection of 18 essays in art criticism and five interviews with prominent black women artists is hooks's response to the paucity of African-American art critics, particularly women. Drawing effectively on her personal experience of art as both maker and viewer, hooks urges that we take art seriously as a focus for struggle, emphasizing its transformative power. At the same time, she eschews essentialist arguments that would reduce all black art to protest art, arguments that have repeatedly been narrowed to discussions of 'good' and 'bad' images. Instead, she calls for 'a revolution in the way we see, the way we look.' What is at stake here, she says, is nothing less than control over the representation of the self; she points to the empowering nature of personal photography as an example. The book itself is an odd creature. The first half is a rocky road full of academic artcrit jargon of the kind usually found in the pages of artforum (which is where one of these pieces first appeared), and the early dialogues, with Carrie Mae Weems and Alison Saar, are unsatisfying, with hooks dominating the conversations. But the second half of the book is ...
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