Cambridge: Harvard University Press, Date: 1986. Paperback. Very good +. 9 x 11 in. Paper wraps. Condition is VERY GOOD+ ; covers very clean, minor wear. Binding tight, text unmarked. Art. RGR. 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Harvard University Press. Used - Very Good. 1986. Paperback. Very Good. Harvard University Press ISBN 0674959612 9780674959613 [US]

Paperback / softback. New. Here is a rare opportunity to view painting through the discerning eyes of one of the world's foremost abstract painters. Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. ISBN 0674959612 9780674959613 [GB]

Harvard Univ Pr, Date: 1986. Paperback. New. 192 pages. 11.00x9.25x0.50 inches. 1986. Harvard Univ Pr ISBN 0674959612 9780674959613 [GB]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover
[Houston, TX, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover 1986. First Edition (US) First Printing. Paperback. "Working Space" affords an opportunity to view painting through the eyes of one of the world's foremost abstract painters. Frank Stella uses the crisis of representational art in 16th-century Italy to illuminate the crisis of abstraction in the late 20th century. Series: The Charles Eliot Norton Lectures. Num Pages: 192 pages, 36 color, 56 duotones. BIC Classification: ABA; ACXJ; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 228 x 12. Weight in Grams: 696. . . . . . Books ship from the US and Ireland.
[Olney, MD, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press] Softcover The Charles Eliot Norton Lectures, 1983-84. Using the crisis of representational art in 16th-century Italy to illuminate the crisis of abstraction in our time, one of the world's most prominent abstract painters describes hisperception of other artists' work, as well as his own, in this generously illustrated volume. Illus., 36 colorplates, 55 B&W. 177p. Pap.
[New York, NY, U.S.A.] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press 1986-07-01, Cambridge, Mass. |London] Softcover Language: ENG
[London, United Kingdom] [Publication Year: 1986]

Cambridge, Mass. |London Harvard University Press 1986 Trade paperback New in new dust jacket.

Harvard University Press 1986 Trade paperback Very Good 1986. Paperback. Very Good.

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press 1986-07-01, Cambridge, Mass. |London] Softcover Language: ENG
[London, United Kingdom] [Publication Year: 1986]

Paperback. Very Good. ISBN 0674959612 9780674959613 [GB]

Cambridge: Harvard University Press, Date: 1986. paperback. fine. Stell, Frank. Illustrated both in color and b/w. 177 pages. 4to, glossy pictorial wrappers. Cambridge: Harvard University Press, 1986. First softcover edition. A fine copy.<br/><br/> 1986. Harvard University Press ISBN 0674959612 US

Cambridge: Harvard University Press, Date: 1986. paperback. fine. Stell, Frank. Illustrated both in color and b/w. 177 pages. 4to, glossy pictorial wrappers. Cambridge: Harvard University Press, 1986. First softcover edition. A fine copy.<br/><br/> 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Cumbreland, Rhode Island, U.S.A.: Harvard Univ Pr, Date: 1986. 5th or later Edition. Soft cover. Very Good/No Jacket. Book very good, small corner creases to covers, several corner creases to inner pages. Binding tight and straight, inner pages glossy and unmarked. Numerous color, b/w photo reproductions. "Working Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the world's most prominent abstract painters. Frank Stella describes his perception of other artists' work, as well as his own, in this generously illustrated volume." 177pp. 1986. Cumbreland, Rhode Island, U.S.A.: Harvard Univ Pr ISBN 0674959612 US

Harvard University Press. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Harvard University Press ISBN 0674959612 9780674959613 [US]

Harvard University Press. New. Date: 1986. Third Printing. Softcover. 0674959612 . This specific softcover book is in new condition with a cover that has sharp edges and corners and has a tight binding. The pages are clean, crisp, unmarked and uncreased. We package all books in custom cardboard book boxes for shipment and ship daily with tracking numbers.; "Working Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the worlds most prominent abstract painters. Frank Stella describes his perception of other artists work, as well as his own, in this handsomely illustrated volume."; 10.8 X 9.0 X 0.6 inches; 192 pages . 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Harvard University Press, Date: 1986-10-10. First Edition. paperback. Used:Good. 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Cambridge, MA: Harvard University Press, Date: 1986. Paperback. Very Good/N/A. 3rd printing. VERY GOOD. Wrappers handled and edgeworn, corners bumped, a couple of leaves lightly bumped at fore-edge. 177 pp., 36 color plates. 55 figs. The Charles Eliot Norton Lectures, 1983-84. Size: 4to 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Harvard University Press, Date: 1986. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

Harvard University Press. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp. Harvard University Press ISBN 0674959612 9780674959613 [US]

Cambridge, MA: Harvard University Press, Date: 1986. Softcover. VG (edge-wear to covers; lower corner rubbed. light stain to textblock edge. interior clean & bright). Grey color illustrated glossy wraps. 177 pp. 36 color, 55 bw plates. Includes laid-in New Yorker profile of Frank Stella from September 10, 1984. 1986. Harvard University Press ISBN 0674959612 US

Harvard University Press. As New in Near Fine dust jacket. Date: 1986. First Edition. Hardcover. 0674959612 . HARDCOVER with clipped price corner and crease to dust jacket flap, otherwise as new. ; Black and white illustrations; 0.5 x 10.9 x 8.9 Inches; 192 pages; "Working Space" affords an opportunity to view painting through the eyes of one of the world's foremost abstract painters. Frank Stella uses the crisis of representational art in 16th-century Italy to illuminate the crisis of abstraction in the late 20th century. Professionals, students, collectors and art lovers should find Stella's non-traditional evaluations of the masters' work controversial and his fresh concepts provocative. . 1986. Harvard University Press ISBN 0674959612 9780674959613 [US]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard Univ Pr] Softcover 192 pages. 11.00x9.25x0.50 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 1986]

ISBN10: 0674959612, ISBN13: 9780674959613, [publisher: Harvard University Press, Cambridge, Mass] Softcover Paperback. Working Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the world's most prominent abstract painters. Frank Stella describes his perception of other artists' work, as well as his own, in this handsomely illustrated volume.Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. The artists who followed Leonardo, Michelangelo, Raphael, and Titian searched for new directions to advance their work from beneath the shadow of these great painters. Caravaggio pointed the way. So today, Stella believes, the successors to Picasso, Kandinsky, and Pollock must seek a pictorial space as potent as the one Caravaggio developed at the beginning of the seventeenth century. Stella sees Caravaggio as the pivot on whom painting turns, his consummate illusionism prompting the advance of a more flexible, more "real" space that allows painting to move and breathe, to suggest extension and unrestricted motion. Following Caravaggio, Rubens' broad vision of fullness and active volume gave painting a momentum that helped propel it into the nineteenth century, where it came to rest in the genius of Gericault and Manet, themselves the precursors of modern painting.Unfortunately, both contemporary abstract art and figurative painting ...