UsedVeryGood. Ships Within 24 Hours M-F- Satisfaction Guaranteed! Has a publisher overstock mark. Item is in Good Condition. Clean Copy With Light Amount of Wear. ISBN 0306800764 9780306800764 [US]

Used - isbn: 0306800764 - isbn13: 9780306800764 Da Capo Press

Da Capo Press, Incorporated, Date: 1977. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1977. Da Capo Press, Incorporated ISBN 0306800764 9780306800764 [US]

Hachette Books. Used - Good. Used book that is in clean, average condition without any missing pages. Hachette Books ISBN 0306800764 9780306800764 [US]

Da Capo Press, Date: 1977-11-22. Paperback. Good. 1977. Da Capo Press ISBN 0306800764 9780306800764 [US]

Da Capo Press, November Date: 1977. Trade Paperback. Used - Good. 1977. Da Capo Press ISBN 0306800764 9780306800764 [US]

Da Capo Press, Date: 1977-11-22. Paperback. Like New. 1977. Da Capo Press ISBN 0306800764 9780306800764 [US]

Paperback. Good. ISBN 0306800764 9780306800764 [GB]

Da Capo Press, Date: 1977. Trade Paperback. New. 144 pages. 9.25x6.00x0.50 inches. 1977. Da Capo Press ISBN 0306800764 9780306800764 [GB]

Paperback / softback. New. ISBN 0306800764 9780306800764 [GB]

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Inside Jazz. ISBN 0306800764 9780306800764 [GB]

ISBN10: 0306800764, ISBN13: 9780306800764, [publisher: Hachette Books, Cambridge, MA] Softcover Paperback. By 1940 the big band sound had grown stale, and jazz musicians began to search out new sounds and styles. At the Harlem nightclub Minton's Playhouse, a small group of musicians -- John Birks, Dizzy Gillespie, Coleman Beau Hawkins, and Thelonious Monk, among sounding blend of flatted fifths, unfamiliar chord lines, and accelerated offbeat rhythms. They were joined on 52nd Street by alto saxist Charles Bird Parker, and bop -- or bebop, as it was first called, from the triplet figure buh-BE-bop -- was born.Bop was aggressive, provocative, and belligerent, Its proponents wore gears and berets and refereed to the Dixieland and New Orleans diehards as moldy figs who in tureen labelled the new jazz the modern complex chord, and a new reperatory into jazz, and by the end of the forties the moldy figs were forced to concede that bop was indeed the harbinger of a new direction in American jazz.Critic Leonard Feather was one of the earliest and most persistent champions of bop. It was he who persuaded RCA Victor that the new music was worth recording. His Inside Jazz is a full-length account of bop: its origins and development and the personalities of the musicians who created it. Numerous photographs and anecdotes bring this innovative era in jazz history to life once more. Critic Leonard Feather was one of the earliest and most persistent champions of bop. It was ...