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Chicago: University of Chicago Press. Near Fine. Date: 2011. Sixth Printing. Paperback. 0226263193 . Large 8vo 9" - 10" tall; 352 pages; 2011 University of Chicago Press. Trade size paperback in glossy color pictorial covers. 6th printing. Tightly bound and fresh with just a hint of shelf evidence to cover edges. Illustrated with b&w photos and a section of color reproductions on glossy stock. Feels and appears generally unread and nearly as new. NF . 2011. University of Chicago Press ISBN 0226263193 9780226263199 [US]
Chicago, IL: Univ of Chicago Pr, Date: 1998. 1st Edition . Trade Paperback. Fine/No Jacket. 8vo - over 7¾ - 9¾" tall. Michael Fried's art criticism comprises some of the central texts of high modernism. This volume contains twenty-seven pieces, including the ambitious introduction to the catalog for the exhibition 'Three American Painters', the text of his book 'Morris Louis', and the epoch-defining "Art and Objecthood," the most widely discussed art-critical essay of the past several decades. Tiny signs of wear on two top corners. 1998. Univ of Chicago Pr ISBN 0226263193 9780226263199 [US]
Univ of Chicago Pr, Date: 1997. paperback. Very Good. 8x6x0. Text is clean and unmarked. Very minor shelf and perusal wear. Pages are tightly bound. Pictures upon request. 1997. Univ of Chicago Pr ISBN 0226263193 9780226263199 [US]
Paperback / softback. New. Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views. ISBN 0226263193 9780226263199 [GB]
ISBN10: 0226263193, ISBN13: 9780226263199, [publisher: The University of Chicago Press] Softcover New copy - Usually dispatched within 4 working days. Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views. [Southport, United Kingdom] [Publication Year: 1998]
Chicago, Illinois: University of Chicago Press, Date: 1998. Softcover. VG (light edge-wear. rubbing to corners. spine creased, yet, fairly tighly bound). blue illustrated wraps w/ white & red printing. 333 pgs w/ bw illustrations. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions ...
Chicago, Illinois: University of Chicago Press, Date: 1998. Softcover. VG (light edge-wear. rubbing to corners. spine creased, yet, fairly tighly bound). blue illustrated wraps w/ white & red printing. 333 pgs w/ bw illustrations. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions ...
Collectibles - isbn: 0226263193 - isbn13: 9780226263199 University of Chicago Press
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