Berg Publishers, Date: 2006. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781859736685 2006. Berg Publishers ISBN 1859736688 9781859736685 [GB]

Berg Publishers 2006 Trade paperback This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 600grams, ISBN: 9781859736685.

ISBN10: 1859736688, ISBN13: 9781859736685, [publisher: Berg Publishers] Softcover Very Good Copy. Fast Shipment
[Houston, TX, U.S.A.] [Publication Year: 2003]

ISBN10: 1859736688, ISBN13: 9781859736685, [publisher: Bloomsbury] Softcover
[Denver, CO, U.S.A.] [Publication Year: 2003]

ISBN10: 1859736688, ISBN13: 9781859736685, [publisher: Berg Publishers] Softcover New Copy. Customer Service Guaranteed
[Denver, CO, U.S.A.] [Publication Year: 2003]

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The The Post-Subcultures Reader. ISBN 1859736688 9781859736685 [GB]

ISBN10: 1859736688, ISBN13: 9781859736685, [publisher: Bloomsbury Publishing PLC, London] Softcover Paperback. Once it was just Mods and Rockers or Hippies and Skinheads. Now we have Riot Grrls and Rappers; Modern Primitives and Metalheads; Goths, Clubcultures and Fetishists; Urban Tribes, New Age Travellers and Internet fan groups. In a global society with a rapid proliferation of images, fashions and lifestyles, it is -unsurprisingly - becoming increasingly difficult to pinpoint what 'subculture actually means. Enthusiastically adopted by the media and academia, subculture may be a convenient way to describe more unconventional aspects of youth culture, but it does little to help us comprehend the diverse range of youth groups in todays so-called postmodern world. How can we begin to rethink, reformulate and replace outdated notions of subcultures to make them applicable to the experiences of youth in the twenty-first century? And to what extent does this involve the challenging of past orthodoxies about spectacular subcultural styles? From Seattle anarchist punks to UK Asian underground music, Canadian female X-Files fans to Australian dance cultures, this groundbreaking book draws on a wide variety of international case studies to investigate the new relationships among youth subcultural music, politics and taste. Is it possible to work within the existing limitations of subculture, or has the concept exhausted its usefulness? Can attempts at ...