Berkeley: University of California Press, Date: 1997, 1997. 1st Edition. Hardcover. Very Good/Very Good. 9x1x12. 4to. 276 pp. b/w and color illustrations. Navy cloth lettered in gilt at spine and front board. Jacket sunned at spine with light rubbing. Fine in Very Good dust jacket. 1997. Berkeley: University of California Press, 1997 ISBN 0520212576 9780520212572 [US]

University of California Press:, Date: 1997. 275 pages, illustrated in color and b&w. "Richard Diebenkorn (1922 -1993) quietly constructed a place for himself in the history of 20th centry art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction." FINE- HARDCOVER, FINE DUST JACKET.. Hard Cover. Fine-/Fine. 4to - over 9¾" - 12" tall. 1997. University of California Press: ISBN 0520212576 9780520212572 [US]

ISBN10: 0520212576, ISBN13: 9780520212572, [publisher: University of California Press, Berkeley] Softcover Softcover in illustrated wraps. Later printing. Book is As New, crisp and clean, with tight binding and sharp corners. Published to accompany an exhibition of Richard Diebenkorn's work at the Whitney Museum in New Work from October 1997 through January 1998. With essays by John Elderfield, Ruth E. Fine, and Jane Livingston. Illustrated with color plates throughout. Large 4to. 276 pp. Heavy--will require additional postage if shipped priority or outside the U.S.
[South Pasadena, CA, U.S.A.] [Publication Year: 2007]

Used - isbn: 0520212576 - isbn13: 9780520212572 University of California Press

New York: Whitney Museum, Date: 1997. paperback. fine/near fine. Diebenkorn, Richard. With Essays by John Elderfield, Ruth E. Fine, and Jane Livingston. 216 illustrations, 191 in full color. 276pp., 4to, blue cloth, d.w. New York: Whitney Museum of Art, 1997. A fine copy in a near fine dust wrapper.<br/><br/> Published on the occasion of the Whitney exhibition.<br/><br/> 1997. Whitney Museum ISBN 0520212576 US

University of California Press, Date: 1997-11-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 1997. University of California Press ISBN 0520212576 9780520212572 [US]

New York/Berkeley: Whitney Museum of American Art/University of California Press, Date: 1997. Hardcover. VG/VG (Slipcase shows minor shelf/edgewear, mild smudging; boards show mild smudging, as well as textblock, pages and binding.). Blue cloth over boards with gilt lettering; blue-cloth-over-boards slipcase with mounted illustration and light blue lettering; frontispiece; 276 pp.; richly illustrated, primarily in color. "Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction. In this book, which accompanies the Whitney Museum's 1997 Diebenkorn retrospective exhibition, the most comprehensive survey of his work ever held, Diebenkorn emerges as an artist who restored to late modernism the sense of the sublime that seemed to fade with each successive decade after World War II. In the 1940s and early 1950s, he forged an impressive abstract vocabulary - and then suddenly abandoned it in 1955 for a representational mode that encompassed still lifes, landscapes, figures, and interiors. Along with painters David Park and Elmer Bischoff, he established what has come to be known as the Bay Area Figurative School. Twelve years later, in 1967, Diebenkorn moved back into abstraction, embarking on the renowned Ocean Park series of paintings and drawings that he continued to develop until the end of his life." -- WorldCat. ...

ISBN10: 0520212576, ISBN13: 9780520212572, [publisher: Whitney Museum of American Art/University of California Press, New York/Berkeley] Hardcover Blue cloth over boards with gilt lettering; blue-cloth-over-boards slipcase with mounted illustration and light blue lettering; frontispiece; 276 pp.; richly illustrated, primarily in color. "Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction. In this book, which accompanies the Whitney Museum's 1997 Diebenkorn retrospective exhibition, the most comprehensive survey of his work ever held, Diebenkorn emerges as an artist who restored to late modernism the sense of the sublime that seemed to fade with each successive decade after World War II. In the 1940s and early 1950s, he forged an impressive abstract vocabulary - and then suddenly abandoned it in 1955 for a representational mode that encompassed still lifes, landscapes, figures, and interiors. Along with painters David Park and Elmer Bischoff, he established what has come to be known as the Bay Area Figurative School. Twelve years later, in 1967, Diebenkorn moved back into abstraction, embarking on the renowned Ocean Park series of paintings and drawings that he continued to develop until the end of his life." -- WorldCat. VG/VG (Slipcase shows minor shelf/edgewear, mild smudging; boards ...