Quantuck Lane Press 2007 Hardcover Used-Very Good Have you ever wondered why the Guggenheim is always covered in scaffolding? Why the random slashes on the exterior of Daniel Libeskind's Jewish Museum, supposed to represent Berlin locations where pre-war Jews flourished, reappear, for no apparent reason, on his Royal Ontario Museum in Toronto? Or why Frank Gehry's Stata Center, designed for MIT's top-secret Cryptography Unit, has transparent glass walls? Not to mention why, for $442 per square foot, it doesn't keep out the rain? You're not alone. In 'Architecture of the Absurd, ' John Silber dares to peek behind the curtain of 'genius' architects and expose their willful disdain for their clients, their budgets, and the people who live or work inside their creations. Absurdism in a painting or sculpture is one thing--if it's not to your taste, you don't have to look--but absurdism in buildings represents a blatant disregard for the needs of the building, whether it be a student center, music hall, or corporate headquarters. Silber admires the precise engineering of Calatrava, the imaginative shapes of Gaudi, and the sleek beauty of Mies van der Rohe. But he refuses to kowtow to the egos of those 'geniuses' who lack such respect for the craft. Absurdist architects have been sheltered by the academy, encouraged by critics, and commissioned by CEOs and trustees. They stamp the world with meaningless monstrosities, justify them with fanciful theories, and command outrageous ...