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Princeton University Press. Used - Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects. Princeton University Press ISBN 0691027145 9780691027142 [GB]
Princeton, NJ,, Date: 1990. First Edition. Paperback.. Very good. Slight lean to spine. Small price sticker on back cover. Text clean and bright throughout.. 8vo. Pp: xv, 272. Publisher's illustrated wraps. Illustrated with diagrams and musical notation throughout.ISBN: 0691027145 1990. ISBN 0691027145 9780691027142 [GB]
Princeton University Press 7/1/1992 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Princeton University Press. Fine. Date: 1990. Paperback. 0691027145 . Inscribed by the author; 9.0 X 6.0 X 0.7 inches; 288 pages; Signed by Author . 1990. Princeton University Press ISBN 0691027145 9780691027142 [US]
Princeton University Press 7/1/1992 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454. . . . . . [Galway, GY, Ireland] [Publication Year: 1992]
Paperback / softback. New. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. ISBN 0691027145 9780691027142 [GB]
Princeton University Press 7/1/1992 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover New copy - Usually dispatched within 4 working days. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. [Southport, United Kingdom] [Publication Year: 1990]
Paperback / softback. New. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. ISBN 0691027145 9780691027142 [GB]
Princeton University Press 1990 Trade paperback New 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454......We ship daily from our Bookshop.
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover 1990. 3rd. Paperback. Examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. This book proposes a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. It also reviews issues raised by the notion of the musical sign. Translator(s): Abbate, Carolyn. Num Pages: 288 pages, 1, black & white illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 156 x 18. Weight in Grams: 454. . . . . . Books ship from the US and Ireland. [Olney, MD, U.S.A.] [Publication Year: 1990]
Princeton University Press, Date: 1990-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! 1990. Princeton University Press ISBN 0691027145 9780691027142 [US]
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover nach der Bestellung gedruckt Neuware - Printed after ordering - In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as 'what is a musical work' and 'what constitutes music,' Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning.In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. [Einbeck, Germany] [Publication Year: ...
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Fairford, GLOS, United Kingdom] [Publication Year: 1992]
ISBN10: 0691027145, ISBN13: 9780691027142, [publisher: Princeton University Press] Softcover New Book. Shipped from UK. Established seller since 2000. [Wood Dale, IL, U.S.A.] [Publication Year: 1992]
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