The MIT Press, Date: 2012-08-17. Paperback. Good. 2012. The MIT Press ISBN 0262517957 9780262517959 [US]

ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover pp. 296
[New York, NY, U.S.A.] [Publication Year: 2012]

Paperback / softback. New. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe. ISBN 0262517957 9780262517959 [GB]

Mit Pr, Date: 2012. Paperback. New. 296 pages. 9.00x7.00x0.50 inches. 2012. Mit Pr ISBN 0262517957 9780262517959 [GB]

The MIT Press, Date: 2012-08-17. Paperback. Used:Good. 2012. The MIT Press ISBN 0262517957 9780262517959 [US]

ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover Steve Goodman is a Lecturer in Music Culture at the School of Sciences, Media, and Cultural Studies at the University of East London, a member of the CCRU (Cybernetic Culture Research Unit), and the founder of the record label Hyperdub.An exploration.
[Greven, Germany] [Publication Year: 2012]
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ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware -An exploration of the production, transmission, and mutation of affective tonality when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread to produce a bad vibe. Sonic weapons of this sort include the psychoacoustic correction aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or sound bombs ) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths. 296 pp. Deutsch
[Bergisch Gladbach, Germany] [Publication ...
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ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware -An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe.
[Zwiesel, Germany] [Publication Year: 2012]
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ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd] Softcover 2012. Paperback. An exploration of the production, transmission, and mutation of affective tonality--when sound helps produce a bad vibe. Series: Technologies of Lived Abstraction. Num Pages: 296 pages, 1 line drawing. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 224 x 172 x 14. Weight in Grams: 472. . . . . . Books ship from the US and Ireland.
[Olney, MD, U.S.A.] [Publication Year: 2012]

ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd, Cambridge, Mass.] Softcover Paperback. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread-to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard-the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.An exploration of the production, ...

ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd, Cambridge, Mass.] Softcover Paperback. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread-to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard-the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.An exploration of the production, ...