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Goodman Steve
author size:
USD
10.98
price size:
Schwabe Books /Biblio
dealer size:
The MIT Press, Date: 8/17/2012 12:00:01 A. paperback. Like New. 0.6000 8.7000 6.6000. The MIT Press ISBN 0262517957 9780262517959 [US]
description size:
Steve Goodman
author size:
USD
17.91
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Ergodebooks /Biblio
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The MIT Press, Date: 2012-08-17. Paperback. Good. 2012. The MIT Press ISBN 0262517957 9780262517959 [US]
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Steve Goodman
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USD
29.58
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The Saint Bookstore /Biblio
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Paperback / softback. New. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe. ISBN 0262517957 9780262517959 [GB]
description size:
Steve Goodman
author size:
USD
33.08
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Cold Books /Biblio
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MIT Press , pp. 296 . Papeback. New. MIT Press ISBN 0262517957 9780262517959 [US]
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Steve Goodman
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USD
34.27
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Paperbackshop via Alibris /Alibris
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MIT Press 9/4/2012 12: 00: 00 AM Softcover New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
description size:
Goodman Steve
author size:
USD
34.52
price size:
Revaluation Books /Biblio
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Mit Pr, Date: 2012. Paperback. New. 296 pages. 9.00x7.00x0.50 inches. 2012. Mit Pr ISBN 0262517957 9780262517959 [GB]
description size:
Steve Goodman
author size:
USD
35.27
price size:
PBShop.store US /Abebooks
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ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover New Book. Shipped from UK. Established seller since 2000.
[Wood Dale, IL, U.S.A.] [Publication Year: 2012]
description size:
Goodman Steve
author size:
USD
35.75
price size:
Ergodebooks /Biblio
dealer size:
The MIT Press, Date: 2012-08-17. Paperback. Used:Good. 2012. The MIT Press ISBN 0262517957 9780262517959 [US]
description size:
Steve Goodman
author size:
USD
36.01
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PBShop.store UK /AbebooksUK
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ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press] Softcover New Book. Shipped from UK. Established seller since 2000.
[Fairford, GLOS, United Kingdom] [Publication Year: 2012]
description size:
Steve Goodman
author size:
USD
37.16
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Ria Christie Collections /Biblio
dealer size:
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe. ISBN 0262517957 9780262517959 [GB]
description size:
Steve Goodman
author size:
USD
39.77
price size:
Books2anywhere via Alibris /Alibris
dealer size:
MIT Press 9/4/2012 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
description size:
Steve Goodman
author size:
USD
41.63
price size:
Paperbackshop International via Alibris /Alibris
dealer size:
MIT Press 9/4/2012 12: 00: 00 AM Softcover PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
description size:
Similar titles
Steve Goodman
author size:
USD
31.48
price size:
THE SAINT BOOKSTORE /AbebooksUK
dealer size:
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd] Softcover New copy - Usually dispatched within 4 working days. An exploration of the production, transmission, and mutation of affective tonality-when sound helps produce a bad vibe.
[Southport, United Kingdom] [Publication Year: 2012]
description size:
Steve Goodman
author size:
USD
35.44
price size:
AHA-BUCH GmbH /ZVAB
dealer size:
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware - An exploration of the production, transmission, and mutation of affective tonality when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread to produce a bad vibe. Sonic weapons of this sort include the psychoacoustic correction aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or sound bombs ) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
[Einbeck, Germany] [Publication Year: 2012]
description size:
Steve Goodman
author size:
USD
39.15
price size:
AHA-BUCH GmbH /AbebooksDE
dealer size:
ISBN10: 0262517957, ISBN13: 9780262517959, [publisher: MIT Press Ltd Aug 2012] Softcover Neuware - An exploration of the production, transmission, and mutation of affective tonality when sound helps produce a bad vibe.Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread to produce a bad vibe. Sonic weapons of this sort include the psychoacoustic correction aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or sound bombs ) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.Goodman concludes with speculations on the not yet heard the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
[Einbeck, Germany] [Publication Year: 2012]
description size:

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