Philadelphia Museum of Art. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. Philadelphia Museum of Art ISBN 087633253x 9780876332535 [US]

Philadelphia and New Haven: Philadelphia Museum of Art; Yale University Press, Date: 2007. xi, 255 pages, illustrations (some colour), portraits (chiefly colour); 31 cm. Published on the occasion of an exhibition at the Philadelphia Museum of Art, February 27 to May 6, 2007. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "Thomas Chimes is one of Philadelphia's most important living artists. Tracing the stylistic evolution of Chimes' idiosyncratic art, this book presents a survey of his remarkable five-decade career. It reveals how Chimes has found inspiration in the writings of Antonin Artaud, James Joyce, and especially Alfred Jarry." - Publisher. CONTENTS: Introduction; Crucifixion paintings; Metal boxes; Panel portraits; White paintings; Notes; Chronology; Exhibition history.. Paperback. Fine. 4to. 2007. Philadelphia Museum of Art; Yale University Press ISBN 087633253x 9780876332535 [US]

Philadelphia: Philadelphia Museum of Art. Fine copy. Date: 2007. 1st. softcover. 4to, 255 pp., Still shrink-wrapped from the publisher . 2007. Philadelphia Museum of Art ISBN 087633253x 9780876332535 [US]

Philadelphia, PA: Philadelphia Museum of Art, Date: 2007. Softbound. As New. Whitish, illustrated wraps. 255 pp., 94 color and numerous bw plates. Thomas Chimes is one of the most important artists to emerge in Philadelphia since World War II. Tracing the stylistic evolution of Chimes's idiosyncratic art, this book presents a long-overdue survey of his five-decade career: canvases combining landscape imagery with symbols such as crucifixes (late 1950s-mid-1960s); mixed-media constructions set within finely crafted metal boxes (late 1960s-early 1970s); his best-known works, a series of forty-eight intimate sepia-toned panel portraits of nineteenth- and twentieth-century writers and artists that are placed within oversized wood frames (1973-78); and the enigmatic 'white paintings' of the past two decades. Contents as follows: Introduction -- Crucifixion paintings -- Metal boxes -- Panel portraits -- White paintings -- Notes -- Chronology -- Exhibition history. 2007. Philadelphia Museum of Art ISBN 087633253x 9780876332535 [US]

Philadelphia, PA: Philadelphia Museum of Art, Date: 2007. Copious b/w and full color plates and figures. 255 pp. Softcover. Small 4to. White stiff wrappers. Bumped at heel; interior tight, clean and bright. A very nice copy. Very good/No jacket issued. 2007. Philadelphia Museum of Art ISBN 087633253x 9780876332535 [US]

Philadelphia Museum of Art. Used - Like New. Like New condition. (thomas chimes, 1921-2009, criticism and interpretation, exhibitions ) A near perfect copy that may have very minor cosmetic defects. Philadelphia Museum of Art ISBN 087633253x 9780876332535 [US]

Philadelphia: Philadelphia Museum of Art, Date: 2007. 1st. Paperback. Near fine. Bound in the publisher's illustrated wraps. Illustrated throughout black & white and color. 2007. Philadelphia Museum of Art ISBN 087633253x US

ISBN10: 087633253X, ISBN13: 9780876332535, [publisher: Philadelphia Museum of Art] Softcover Softcover, 256 pages, new condition, still sealed in shrinkwrap, clean and crisp. Foreign shipping may be extra.
[New York, NY, U.S.A.] [Publication Year: 2007]