University of North Carolina Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. University of North Carolina Press ISBN 0807843172 9780807843178 [US]

University of North Carolina Press, Date: 2002-10-31. paperback. Used: Good. 2002. University of North Carolina Press ISBN 0807843172 9780807843178 [US]

University of North Carolina Press, Date: 2002-10-31. paperback. Used:Good. 2002. University of North Carolina Press ISBN 0807843172 9780807843178 [US]

Chapel Hill: University of North Carolina Press, Date: 1991. Paperback. Very good. Paperback. 350pp+ index. Very good in publisher's wraps. 1991. University of North Carolina Press ISBN 0807843172 9780807843178 [US]

University of North Carolina Press, Date: 2002-10-31. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2002. University of North Carolina Press ISBN 0807843172 9780807843178 [US]

ISBN10: 0807843172, ISBN13: 9780807843178, [publisher: Univ of North Carolina Pr] Softcover 380 pages. 9.00x5.50x1.00 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 1991]

ISBN10: 0807843172, ISBN13: 9780807843178, [publisher: The University Of North Carolina Press] Softcover nach der Bestellung gedruckt Neuware - Printed after ordering - Between 1978 and 1985 the BBC televised the entire Shakespeare canon of thirty-seven plays, a remarkable technical and dramatic accomplishment. Susan Willis, an American scholar in Shakespeare studies and performance, observed the making of a number of these television plays. Here she presents not only a full-scale history and analysis of the BBC series but an unprecedented eyewitness account of the productions, from planning and rehearsal to taping and editing.Willis shows how the technical elements of television distinguish these productions from stage and film, and she explains how differences in transmission, tastes, educational efforts, and critical responses made the productions a different experience on each side of the Atlantic. She assesses the diversity of styles used by such directors as Jonathan Miller, Elijah Moshinsky, and Jane Howell, for after the early filmic bias toward the productions, directors experimented with unit or stylized sets, Renaissance space and lighting effects, and varieties of scenic realism as methods of embodying Shakespeare's plays for television.The BBC Shakespeare Plays will give readers an accurate sense of television production, take Shakespeare buffs behind the scenes, and serve as an interpretive guide for teachers, thousands of whom have found the BBC ...
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