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University of Texas Press, Date: 1999. Hardcover. Very Good. Disclaimer:A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 1999. University of Texas Press ISBN 0292728271 9780292728271 [US]
University of Texas Press, Date: 1999. Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1999. University of Texas Press ISBN 0292728271 9780292728271 [US]
ISBN10: 0292728271, ISBN13: 9780292728271, [publisher: University of Texas Press, United States, Austin, TX] Softcover The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells a engrossing insider's story of what it was like to be blacklisted and how he and others continued to work un-credited behind the scenes, writing and producing many box office hits of the era. Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston. In 1997, the Writers Guild of America began publicly re-crediting screenplays to their blacklisted authors. Bernard Gordon's name has appeared more often than any other. Now retired after a thirty-year career, he lives in Los Angeles. The book ...
ISBN10: 0292728271, ISBN13: 9780292728271, [publisher: University of Texas Press, United States, Austin, TX] Softcover The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells a engrossing insider's story of what it was like to be blacklisted and how he and others continued to work un-credited behind the scenes, writing and producing many box office hits of the era. Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston. In 1997, the Writers Guild of America began publicly re-crediting screenplays to their blacklisted authors. Bernard Gordon's name has appeared more often than any other. Now retired after a thirty-year career, he lives in Los Angeles. The book ...
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