ISBN10: 0193164132, ISBN13: 9780193164130, [publisher: Clarendon Press: Oxford University Press, Oxford] Hardcover First Edition Hardcover with lightly bumped leading corner of front board. Dust jacket with very slightly worn upper leading corners and spine head, with some superficial scores front and rear. Pages are clean, binding is sound and text remains clear throughout. T
[Didcot, Oxfordshire, OXON, United Kingdom] [Publication Year: 1988]

ISBN10: 0193164132, ISBN13: 9780193164130, [publisher: Oxford University Press] Hardcover Used - Acceptable. Small stain to edges of pages at the front of the book; contents pages contain pen markings. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
[Waltham Abbey, HERTS, United Kingdom] [Publication Year: 1988]

ISBN10: 0193164132, ISBN13: 9780193164130, [publisher: Clarendon Press/ Oxford University Press, Oxford, England; New York] Hardcover Navy cloth boards with gilt lettering; green illustrated dj, mylar cover; 227 pp; bw music illustrations. " This book is an intensive new study of the background to the Requiem and the music itself. Maunder, who after many years' research has recently completed a new edition of the Requiem that attempts to be more faithful to Mozart's original intentions, presents detailed arguments concerning the authenticity of the doubtful movements, the editorial decisions he faced in preparing the new edition, the settings by other composers that may have influenced Mozart, and the problems of performance practice. He concludes that Süssmayr probably did write the disputed movements, but may have used a now-lost Mozart sketch in composing the Agnus Dei. This fascinating new study of one of classical music's best-loved works will interest a wide range of music students and scholars, and general readers"-dust jacket. VG-/VG- (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Light shelfwear.)
[Marietta, PA, U.S.A.] [Publication Year: ...
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Oxford University Press, USA 1988 Hard cover Acceptable Used-Acceptable. Small stain to edges of pages at the front of the book; contents pages contain pen markings. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.

Oxford: Clarendon Press: Oxford University Press, Date: 1988. Hardcover with lightly bumped leading corner of front board. Dust jacket with very slightly worn upper leading corners and spine head, with some superficial scores front and rear. Pages are clean, binding is sound and text remains clear throughout. T. First Edition. hardcover. Very Good/Very Good. Used. 1988. Clarendon Press: Oxford University Press ISBN 0193164132 9780193164130 [GB]

Oxford, England; New York: Clarendon Press/ Oxford University Press, Date: 1988. Hardcover. VG-/VG- (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. Light shelfwear.). Navy cloth boards with gilt lettering; green illustrated dj, mylar cover; 227 pp; bw music illustrations. " This book is an intensive new study of the background to the Requiem and the music itself. Maunder, who after many years' research has recently completed a new edition of the Requiem that attempts to be more faithful to Mozart's original intentions, presents detailed arguments concerning the authenticity of the doubtful movements, the editorial decisions he faced in preparing the new edition, the settings by other composers that may have influenced Mozart, and the problems of performance practice. He concludes that Süssmayr probably did write the disputed movements, but may have used a now-lost Mozart sketch in composing the Agnus Dei. This fascinating new study of one of classical music's best-loved works will interest a wide range of music students and scholars, and general readers"-dust jacket. 1988. Clarendon Press/ Oxford University Press ISBN 0193164132 9780193164130 [US]