National Gallery London, Date: 1998-09-10. Hardcover. Good. 1998. National Gallery London ISBN 0300077130 9780300077131 [US]

National Gallery London, Date: 1998. Book. Near Fine. Hardcover. 1st Edition. Near fine book and jacket. . 1998. National Gallery London ISBN 0300077130 9780300077131 [US]

London: National Gallery Publications/Yale University Press. VG+/VG+. Date: 1998. 1st American Edition. Hardcover. 0300077130 . Minor bumps to bottom corners and along top. ; Otherwise solid copy; 224 p. . 1998. National Gallery Publications/Yale University Press ISBN 0300077130 9780300077131 [US]

Yale University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Yale University Press ISBN 0300077130 9780300077131 [US]

UsedGood. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials. ISBN 0300077130 9780300077131 [US]

National Gallery London, Date: 1998-09-10. Hardcover. New. New. In shrink wrap. Looks like an interesting title! 1998. National Gallery London ISBN 0300077130 9780300077131 [US]

National Gallery London. Used - Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing box or discs. Damaged item. National Gallery London ISBN 0300077130 9780300077131 [US]

London: National Gallery of Art, Date: 1998. Oversize Hardcover. Very Good/Very Good. XL. A clean, unmarked book with a tight binding. 224 pages. 9 1/8""w x 11 1/4""h. Slight edge wear to dust jacket. 1998. National Gallery of Art ISBN 0300077130 9780300077131 [US]

National Gallery London, Date: 1998. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed. 1998. National Gallery London ISBN 0300077130 9780300077131 [US]

U.S.A: National Gallery London, Date: 1998. Hardcover. Very Good/Very Good. 11x9x0. Signed by Author(s). In Very Good Condition. Reprint. Hardcover With A Very Good Dust Jacket. The Dust Jacket Is Creased With Some Small Tears At The Outer Edges. Signed Best Wishes Jonathan Miller" At The Title Page.- We can ship from Canada and the USA, based on your address. Specializing in academic, collectible and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us. 1998. National Gallery London ISBN 0300077130 9780300077131 [CA]

Collectibles - isbn: 0300077130 - isbn13: 9780300077131 Natl Gallery England

Yale University Press. New. Date: 1998. Hardcover. 0300077130 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, like new, pristine, never opened -- 224 pp. With 365 ills. (287 col. ). 29 x 24 cm. Description: "An in-depth study of the representaton of reflective surfaces in art, this catalogue presents reproductions of some 200 paintings and other works dating from the 15th century to the 1980s, including portraits, still lifes and landscapes by such major artists as Van Eyck, Durer, Titian, Caravaggio, Rembrandt, Velazquez, Reynolds, Burne-Jones, Degas, Bonnard, Picasso and Magritte. An extensive multi-part text discusses the optical properties of reflected images and explores metaphorical, psychological and aesthetic aspects of their depiction in art." -- with a bonus offer--; 0.85 x 11.3 x 9 Inches . 1998. Yale University Press ISBN 0300077130 9780300077131 [US]

ISBN10: 0300077130, ISBN13: 9780300077131, [publisher: London : National Gallery Publications Limited] Hardcover 224 S. : zahlr. Ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz auf Vortitel Sprache: Englisch Gewicht in Gramm: 1230
[Hamburg, Germany] [Publication Year: 1998]

National Gallery London 1998 Hardcover Used-Very Good European painting has long aspired to hold a mirror to nature--and in so doing has taken up the challenge of representing the effects of light on reflective surfaces. In this beautiful book, Jonathan Miller investigates the pictorial representation of sheen, shine, glimmer, and gleam through a wonderfully varied selection of paintings and photographs drawn from the National Gallery, London, and other international collections. Miller describes our perceptual opacity to recognize real-life mirrors as well as those in pictures, a complex psychological process of which we are usually unaware. He also traces the ambivalent imagery of mirrors from neutral aids to representing the self, as in Rembrandt's Self Portrait or Velazquez' Rokeby Venus, through metaphors of either virtues or vices in allegorical paintings--such as Le Tournier's Allegory of Justice and Vanity and Otto Dix's Woman Before a Mirror. The extent to which a surface reflects a recognizable image varies enormously, and Miller investigates the full range, from the diffuse sheen of polished leather or burnished copper to the representational realism of silvered glass. He shows that the depiction of such variously reflective surfaces has challenged the virtuosity of artists as diverse as Rembrant and Rockwell for more than two thousand years. Very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.

ISBN10: 0300077130, ISBN13: 9780300077131, [publisher: Yale University Press] Hardcover In this lavishly illustrated book, Jonathan Miler investigates the efforts of painters to represent the effects of light on various reflective surfaces. Discussing a selection of works from artists as diverse as Rembrandt and Rockwell, he shows that the depiction of reflections has challenged painters for centuries. When we look into a mirror, we do not 'see' the surface, we see only our reflection. But in a painting, our eye is drawn to the marked surface of the canvas, which creates the illusion of a reflection. Jonathan Miller's On Reflection, published to coincide with his show 'Mirror Image' at London's National Gallery, is a dazzling investigation of artists as diverse as van Eyck, Dürer, Velázquez, Ingres, Helen Chadwick, and Robert Mapplethorpe. Miller explores the tricks and games by which painting and, more recently, photography create this illusion of reflection. The artistic representation of reflection has challenged artists for centuries, a problem particularly acute in Miller's most sustained example--the mirror. Drawing on studies of cognitive perception, On Reflection explains how we come to understand the difference between a reflection and 'the real thing,' and how vital reflections are in defining our own sense of identity. Miller's fascination with his subject comes across in bravura and original ...

National Gallery London 1998 Hard cover The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

U.S.A. : National Gallery London 1998 Hardcover Very Good in Very Good jacket Jacket is rubbed and marked. Internally clean. Excellent binding. In this book the author investigates the pictorial representation of reflection, sheen, shine, glimmer and gleam through a wonderfully varied selection of paintings and photographs, covering nine centuries, drawn from the National Gallery and other international collections. Reprint. [R. K]

National Gallery London 1998-09-10 Hardcover New Size: 148x12x188; New. In shrink wrap. Looks like an interesting title!

National Gallery London 1998 hardcover Very good Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

National Gallery London 1998 Hard cover Acceptable May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing box or discs. Damaged item.

National Gallery London 1998 Hardcover Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

National Gallery London 1998 Hardcover Fair HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

National Gallery London 1998 Hardcover Very Good in Very Good jacket Size: 11x9x0; In Very Good Condition. Reprint. Hardcover With A Very Good Dust Jacket. The Dust Jacket Is Creased With Some Small Tears At The Outer Edges. Signed Best Wishes Jonathan Miller" At The Title Page. based on your address. -We can ship from USA and Canada. Specializing in academic, collectible and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.

London National Gallery of Art 1998 Oversize Hardcover Very Good in Very Good jacket Art. XL. A clean, unmarked book with a tight binding. 224 pages. 9 1/8"w x 11 1/4"h. Slight edge wear to dust jacket.

National Gallery London 1998 Hardcover Good Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.