Paperback / softback. New. The main purpose of this book is to clarify the meaning and use of the conventions governing the practice of implied accidentals in vocal polyphony from the early fourteenth to the mid-sixteenth century - a problem which has fascinated musicologists for over a hundred years now. ISBN 052154338x 9780521543385 [GB]

Cambridge Cambridge University Press 2004 Trade paperback New. Trade paperback (US). Glued binding. 288 p. Contains: Unspecified.

Cambridge Univ Pr, Date: 2004. Paperback. New. 266 pages. 9.00x6.00x0.75 inches. 2004. Cambridge Univ Pr ISBN 052154338X 9780521543385 [GB]

ISBN10: 052154338X, ISBN13: 9780521543385, [publisher: CAMBRIDGE] Softcover
[DH, SE, Spain] [Publication Year: 2004]

Cambridge University Press, Date: 2004-08-26. Paperback. New. New. In shrink wrap. Looks like an interesting title! 2004. Cambridge University Press ISBN 052154338X 9780521543385 [US]

Cambridge Cambridge University Press 2004 Trade paperback New. Trade paperback (US). Glued binding. 288 p. Contains: Unspecified.

ISBN10: 052154338X, ISBN13: 9780521543385, [publisher: Cambridge University Press] Softcover New. In shrink wrap. Looks like an interesting title! 1.06
[North Las Vegas, NV, U.S.A.] [Publication Year: 2004]

Cambridge University Press 1/5/2004 Paperback or Softback New in New jacket Musica Ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto Da Padova to Gioseffo Zarlino (Paperback or Softback)

ISBN10: 052154338X, ISBN13: 9780521543385, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - The main purpose of this book is to clarify the meaning and use of the conventions governing the practice of implied accidentals in vocal polyphony from the early fourteenth to the mid-sixteenth century - a problem which has fascinated musicologists for over a hundred years now. Musicians of the late Middle Ages and Renaissance did not think it was necessary to write down all accidentals; since some accidental inflections were implied by the musical context, performers made them whether or not they were notated. This practice imposes on modern readers of early music sources, the task of supplying all such conventionally implied accidental inflections and the successful achievement of this task depends on a knowledge and understanding of the conventions involved. Since the practice of implied accidentals can be understood only in a wider context of compositional, notational, and performing practice of the period, the book attempts to throw light on some aspects of these practices as well.
[Einbeck, Germany] [Publication Year: 2004]
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