ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Taylor & Francis Ltd Jun 2008] Softcover Neuware - In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.
[Einbeck, Germany] [Publication Year: 2008]
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ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Taylor & Francis Ltd, London] Softcover First Edition Paperback. In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience that a performance provokes blurring distinctions between artist and audience, body and mind, art and life is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.With an introduction by Marvin Carlson, this translation of the original AEsthetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event. Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a fresh appreciation of the artistic event. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
[Truganina, VIC, Australia] [Publication Year: 2008]

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Taylor & Francis 2008-06-05, London] Softcover Language: ENG
[London, United Kingdom] [Publication Year: 2008]

Oxford Routledge 2008 Trade paperback New. Trade paperback (US). Glued binding. 240 p.

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Routledge 2008-06-05] Softcover
[Wallingford, United Kingdom] [Publication Year: 2008]

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Taylor & Francis Ltd, London] Softcover First Edition Paperback. In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience that a performance provokes blurring distinctions between artist and audience, body and mind, art and life is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.With an introduction by Marvin Carlson, this translation of the original AEsthetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event. Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a fresh appreciation of the artistic event. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
[Stevenage, United Kingdom] [Publication Year: ...
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Routledge, Date: 2008-06-05. 1. paperback. Used:Good. 2008. Routledge ISBN 0415458560 9780415458566 [US]

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Routledge] Softcover New Copy. Customer Service Guaranteed
[Denver, CO, U.S.A.] [Publication Year: 2008]

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Routledge] Softcover
[Columbia, MD, U.S.A.] [Publication Year: 2008]
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ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Routledge] Softcover
[Moncks Corner, SC, U.S.A.] [Publication Year: 2008]

Routledge 2008 paperback Good Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Taylor & Francis Ltd] Softcover First Edition 2008. 1st Edition. Paperback. Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a fresh appreciation of the artistic event. Translator(s): Jain, Saskya. Num Pages: 240 pages, black & white illustrations. BIC Classification: AS. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 158 x 13. Weight in Grams: 380. . . . . .
[Galway, GY, Ireland] [Publication Year: 2008]

Routledge 2008 Trade paperback New 2008. 1st Edition. Paperback. Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a fresh appreciation of the artistic event. Translator(s): Jain, Saskya. Num Pages: 240 pages, black & white illustrations. BIC Classification: AS. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 158 x 13. Weight in Grams: 380......We ship daily from our Bookshop.

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Routledge] Softcover Like New
[Redhill, SURRE, United Kingdom] [Publication Year: 2008]

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Taylor & Francis] Softcover In this book, Erika Fischer-Lichte traces the emergence of performance as an art event in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience.
[Greven, Germany] [Publication Year: 2008]
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Routledge, Date: 2008. Paperback. New. 1st edition. 240 pages. 9.17x6.18x0.55 inches. 2008. Routledge ISBN 0415458560 9780415458566 [GB]

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Routledge] Softcover 1st edition. 240 pages. 9.17x6.18x0.55 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 2008]

Oxford Routledge 2008 Trade paperback New. Trade paperback (US). Glued binding. 232 p.

Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to ISBN 0415458560 9780415458566 [GB]

Routledge. Paperback. New. 9x6x0. Routledge ISBN 0415458560 9780415458566 [US]

Paperback / softback. New. Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a fresh appreciation of the artistic event. ISBN 0415458560 9780415458566 [GB]

ISBN10: 0415458560, ISBN13: 9780415458566, [publisher: Routledge] Softcover First Edition A book about what performance actually does for actors and audience, focused particularly on more experimental events. So while there's no shortage of words such as autopoesis, mediatization and semioticity in The Transformative Power of Performance, it's really about simple but powerful things: among them sight, touch, smell, voices, laughter, ecstasy, reality. "When an actor playing Hamlet walks across the stage it primarily signifies the reality of the actor walking across the stage. The actor is not just pretending to walk. He is actually walking and changing reality through his act. The context alone allows for the walk to acquire another meaning - for example Hamlet walking to Gertrude's chamber." Such are the steps from which this book works up to matters such as "John Cage's event theory, Austin's establishment of the concept of the performative in linguistic theory, Judith Butler's work on performative acts and gender, the contributions of the Cambridge anthropologists to ritual study, [and] Peggy Phelan and Philip Auslander's discussions of presence", to quote the useful introduction by Marvin Carlson. The book itself is in very good condition, no markings to the text, still very tightly bound, with just a few marks of shelf wear and handling: a little bit of bumping to the corners of the covers, some faint ...
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