ISBN10: 0521619920, ISBN13: 9780521619929, [publisher: Cambridge University Press] Softcover Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
[Reno, NV, U.S.A.] [Publication Year: 2005]

ISBN10: 0521619920, ISBN13: 9780521619929, [publisher: Cambridge University Press] Softcover Most items will be dispatched the same or the next working day.
[Rossendale, LANCS, United Kingdom] [Publication Year: 2005]
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Cambridge Cambridge University Press 2005 Trade paperback New. Trade paperback (US). 284 p. Music in the Twentieth Century . 5 Printed music items; 11 Line drawings, unspecified. Intended for professional and scholarly audience.

ISBN10: 0521619920, ISBN13: 9780521619929, [publisher: Cambridge University Press] Softcover
[Dallas, TX, U.S.A.] [Publication Year: 2005]

Cambridge University Press CUP , pp. 284 Index. Papeback. New. Cambridge University Press CUP ISBN 0521619920 9780521619929 [US]

ISBN10: 0521619920, ISBN13: 9780521619929, [publisher: Cambridge Univ Pr] Softcover 272 pages. 9.75x7.50x0.75 inches. In Stock.
[Exeter, United Kingdom] [Publication Year: 2005]

Cambridge Cambridge University Press 2005 Trade paperback New. Trade paperback (US). 284 p. Music in the Twentieth Century . 5 Printed music items; 11 Line drawings, unspecified. Intended for professional and scholarly audience.

ISBN10: 0521619920, ISBN13: 9780521619929, [publisher: Cambridge University Press] Softcover Buy with confidence! Book is in new, never-used condition
[Amherst, NY, U.S.A.] [Publication Year: 2005]

Cambridge Cambridge University Press 2005 Trade paperback New. Trade paperback (US). Contains: Line drawings, Printed music items. Music in the Twentieth Century . 11 b/w illus. 5 music examples. Intended for professional and scholarly audience.

ISBN10: 0521619920, ISBN13: 9780521619929, [publisher: Cambridge University Press] Softcover Druck auf Anfrage Neuware - Printed after ordering - Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory.
[Einbeck, Germany] [Publication Year: 2005]
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