MIT Press, Date: 2006. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 2006. MIT Press ISBN 026201226X 9780262012263 [US]

MIT Press, Date: 2006. Hardcover. Very Good. Disclaimer:A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed. 2006. MIT Press ISBN 026201226X 9780262012263 [US]

Cambridge, MA: MIT Press; An October Book, Date: 2006. Cloth, xx, 450 pages, illustrations (some colour); 24 cm. Tight, clean copy. Remainder mark/tail edge. Dust jacket, with light shelfwear, protected in a mylar cover. "More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it. In 1971, when Linda Nochlin published her essay 'Why Have There Been No Great Women Artists?' in a special issue of Art News, there were no women's studies, no feminist theory, no such thing as feminist art criticism; there was instead a focus on the mythic figure of the great (male) artist through history. Since then, the 'woman artist' has not simply been assimilated into the canon of 'greatness' but has expanded art-making into a multiplicity of practices with new parameters and perspectives. In Women Artists at the Millennium artists including Martha Rosler and Yvonne Rainer reflect upon their own varied practices and art historians discuss the innovative work of such figures as Louise Bourgeois, Lygia Clark, Mona Hatoum, and Carrie Mae Weems. And Linda Nochlin considers changes since her landmark essay and looks ...

MINT OVERSIZE PB, expedited and international shipping not available Date: 2006. The MIT Press ISBN 026201226X 9780262012263 [US]

MINT OVERSIZE HC, expedited and international shipping not available Date: 2006. The MIT Press ISBN 026201226X 9780262012263 [US]